From the Heart 3

 
0600. The rock squats, silent, a massive cupcake among the grasses. Moment by moment the light changes: dark gives way to deep blues, to a steel blue, now to a primrose glimmering. All is quiet, still. Life suspended, the plain broods, foreknowing sunrise.
 
0621.The rock as image is too familiar. The rock as concrete reality forbids familiarity. I emerge from my small car, and regard the great terracotta thing before me: after all these years its immensity, everfresh, astonishes me. My car winds its way to the carpark. At every bend the rock changes; every aspect surprises and evokes the overpowering question: what immortal hand or eye? My question and the custodians’ questions are the same as Blake’s. The very greatness demands a myth.
I glance at the steep wall at my side and the slope flings my gaze up, up, upward beyond my range of cervical extension. The human neck cannot accommodate the reality; only if I lie on my back can I take it in. The human ant needs a postcard.
 
0623. Time to start: I am alone, the sole ant. The base walk used to be nine kilometres in length. Now it’s 10.6 kilometres. The rock hasn’t grown but the people who manage the Park have decided to keep us at a distance. And I need to finish my circuit by 0730: time to start.
 
Every one of my years finds voice and protests in my lower back as I shamble into movement. I intended to run but for now this hobbling is the best I can do. The gravel path underfoot is soft and red. It cushions and retards. Slower going and harder. But with only a hundred metres behind me slow going and aching back are forgotten. The rock compels, demands all attention, with its folds and bends, its clefts and pits, its elegant curves, its sweep and breach, its sudden secret shades and sulci.
That face – those many faces – prefigure every expression of humanity. The rock gazes down with idle incuriosity, here it is a pockmarked teenager, here a gaunt pensioner, now a lady, elegant in her long dress that falls and sweeps and moves gracefully in concert with my passing. The rock shows the many faces that are human faces: here is calm, here inscrutability, here obduracy.
Three great gouges side by side at great height, these are eye sockets, empty: what is this sight that sears her eyeballs?  The rock gazes out at our killing fields, at Crusades and Inquisition, at Babi Yar, Rwanda, Cambodia, at Holocaust, at the Armenian Genocide. The rock’s eyeless sockets see all. She has no tears. No mouth here, no words.
 
0630. Right on time the sun comes up, shining, burning directly in my eyes as the rockface heads me due east. The wind comes up too, blowing hot hard warnings of today’s forty degrees: you step outside from your cooled habitat, you breathe, your palate dries and you gasp. The second breath confirms the first impression.
For now the hot headwind is welcome: an early headwind promises a following wind in the later stages when I’ll head west and home.
But the sun, this sun, this blaze, this interrogator’s light right in my eyes: son of man, why have you come?
My innocent run is no longer blameless.
Son of man, what business have you here?
What? Why? What do I seek – peace? Innocence?
The light glares: What gift do you bring?
Consciousness. It is all I have.
The bright light relents, winking now, filtered by thin foliage, broken by gentle rises and bends. 
At this point the run might become a chore; the vista is relatively unremarkable, the rock radiating yesterday’s stored heat, the glare, the difficult going underfoot, the headwind – all might sap a runner. Instead the mechanical affair of placing one foot before another feels charged, significant. Plod, plod, breathe, breathe, the ordinary is transmuted. It is said of William Blake that he took a visitor outside, directed him to look at the midsummer sun and report what he saw. “Bright sunshine”, said the visitor. Said Blake, “I see hosts of fiery angels surrounding the Throne, singing Holy, Holy, Holy.”
 
Fires in my throat. I sip my iced water. But first I recite the customary blessing over the water, an act in which this mortal congratulates his Maker on His good idea in creating and providing the mortal with water. Water never tasted better. Like everything here it is charged, touched with the sublime.
 
I have passed twenty minutes alone in the company of Uluru, an uncommon privilege. At my left, hidden in the scrub, is the village of Mutitjulu. Its people live in the lee of immensity. Daily they awaken to the view of deep terracotta that earlier was mine. At sunset, fire flames from the rock’s margins, the rock purples. Echoes follow me – another place, another colour scheme:
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
 
 
Around the bend now, heading south, the greens and greys relieve the eye. I can’t complain of sameness. More faces in the rock, caves that grimace, bluffs that lower, red rock that slopes down towards my feet, down, down, a slow, shy approach. The rock is within a metre of my shod foot. To step on it a profanation. I do not walk this rock. Not now.
 
Around another bend and another, tracing waving folds, the rock shapes here are emphatically, anatomically feminine. Inescapably feminine. Curves that flow, flow, ineffably graceful, to deepening clefts, soft in the gentling light. These mother forms beckon, embrace, call me home.
 
My old legs move fluently, easily. They swallow the miles. My mouth burns, it sends messages – drink, drink – messages you receive only when it’s too late. Above me rockmouths gape toothlessly, vast, cavernous, inaccessible. My eye searches the sheer face; only a mountaineer equipped with hammer, piton and ropes could reach those high hollows. But in their depths ochreous markings, patterns, declare themselves; these impossible deeps are painting sites.  No white foot might imaginably intrude. Good!
 
Nearing the beginning of the end, here is the Mutijulu pool, a cool, shaded dell between three high surrounding walls. Its waters are permanent. But no, not so today, not in this heat. I gaze amazed at naked sands. Even dry they keep their cool, concealing water close to the surface. This dryness is a mirage; at all hands the growth is green, tender, silvan.
 
0715. Nearer the end and I am not alone. Cars pass on the bitumen that runs unseen, parallel to my path. Above me the rock has mouths with calcific projections, teeth that do not smile at what passes below. I look ahead: there, formicating on the slope, scores, hundreds of whitefellas climb hand over hand along a chain that will take them to the top. They will climb Uluru, they will conquer, they’ll be able to tell everyone.
At the top they’ll see the pits and gullies, the moonscape no-one below imagines, the scales and plaques of red; and the smallness of humans below.
I know what they see. I know the climbers haven’t seen or haven’t understood or haven’t cared what the owners write on the notice: Anangu do not want you to climb the rock.
I am not happy to see them climbing. It seems disrespectful. I feel it as if it were a personal sIight. I know and I care about it because I too have climbed the rock. A quarter of a century ago, I drove up, leaped from my car and ran up the slope. I did not see the notice. Hubris sped my feet: I would conquer Uluru; I would do it at the run, I would not stop.
Of course I did stop – after only fifteen metres – stopped and gasped, ran again, stopped, fought a breathlessness I had not known before. I made it to the top, saw how small we are and descended. I do not climb now.