Twice upon a Time

 

Once upon a time, an old man travelled by train from the goldfields to the great city. The old man took his seat and looked around. Seated at a remove in a row parallel to his sat a younger man with a bony face, his features stony and set hard. His limbs were a living art gallery of tattoos; unlike all others aboard the train he wore no mask and, when asked to show his rail pass to the conductor, he did not speak, did not move, but showed no ticket. The old man felt a sense of implicit menace, not only on account of the younger man’s scowl, but in his very silence, and somehow in his unseasonable short pants and t-shirt, as if he declared he was tougher than others,  rugged up against the cold of the day.

 

Nobody challenged the Man of Silent Menace.

 

 

About twenty minutes into the journey the old man smelled smoke. It wafted his way from the parallel seats. He stood and looked for signs of fire. He found none. No-one else seemed perturbed. The old man hoisted his backpack and walked out of that carriage and into the next. He left behind him the smell of smoke and the Man of Menace, and we too leave them now, as they play no further part in our story. The old man walked out and into a different story.

 

 

In the next carriage the old man found an empty corner where he sat down and started to read. He heard a voice and, wondering, he looked up. He didn’t catch the words for he was an old man, but he thought he heard ‘looking stylish’.

He turned in the direction of the voice, which was feminine in register, and he found himself facing a young woman who had, indeed, addressed him. The young woman was slightly built, her hair was red and she had freckles dotting her face and arms. Her face was covered, as the man’s was, by a mask. An open laptop computer sat on her knees.

 

 

The old man, surprised, because few over his long lifetime had remarked favourably on his ‘style’, asked the woman: Did you speak to me? I’m afraid I didn’t hear clearly.

I said you look stylish.

Golly, thought the man.

Thank you, said the man.

Yes, the cool jacket, the beret. Especially the beret.

 

The man thanked her again, and asked, (because he was interested in such things), What are you writing?

A story, she replied. I hope it will become a novel. Would you like me to read you some?

The old man said yes, I would. Thank you.

 

 

The old man thought, What a fearless young person!

The young woman now picked up her computer, her pink tote bag, her backpack and a fluffy jacket and removed from her corner diagonally opposite the man’s, and sitting herself down opposite him, almost knee to knee, started to read.

 

 

The young woman read musically and expressively. Her story told of a father and his young daughter. The father, a magician, delighted his daughter with the magic he practised. He created a world where her mind dwelled in fantasy. The father commanded his daughter never, never to open the trunk which contained his magician’s materials. His tone was tender but firm. The man departed, leaving the trunk in the care of his daughter.

 

 

The daughter felt tempted. She too wished to work magic, for she knew that despite the doubts of many, magic was real, its actions were everywhere to be seen, if only one had eyes to see.

 

 

The temptation was stronger than the daughter’s resistance. In truth she did not try to resist; she wanted to do what her father did, she wanted to know what he knew.

The girl opened the trunk.

 

 

At this point the storyteller closed her laptop and looked up at the old man with a question in her gaze. For his part, the old man had fully entered the world of the story and was sorry that it had stopped. He felt surprised at himself for, being a prosaic old man, he held no belief or interest in the world of magic. He said, I like your story. I liked the atmosphere you created and I’m interested in your characters and in how their relationship will play out. If I had been reading this story I would want to read on. I’d want to learn what happened next. There will be consequences of the child’s action, and I imagine, of the father’s trust or  his trial of the child.

 

 

The young woman smiled with pleasure. 

 

 

The old man ventured: I’ve published a few books.
Wow! Where can I find them?

You can check out my blog.

Your blog! Wow!

 

 

The old man asked if she was a student. She said I’m doing a degree in Creative Writing and Film, at uni. The man asked the author where she had boarded the train. She named an exquisite mountain village in the vicinity. She went on to describe the farmlet where she and her fearless brother were raised and still live. She spoke of the animals, all of which bore names, she spoke of her creative parents – musicians – who passed on the gifts of music to their children. She said, Dad mowed a maze into the acres and acres of grass behind the house. We grew up in enchantment and imagination. As she spoke she glowed with recall of a childhood of wonder.

 

 

The old man thought the woman’s lived idyll somehow echoed the idyll she created in her story. He asked, do you make music too? Oh yes, we all do, we play and sing. I’m in a band. We’re going to cut an album. I write my own songs. Would you like to hear one?

Yes. Choose a sad one.

 

 

In asking her to sing to an audience of only one, the man was testing the limits of the young person’s boldness. But she gave voice, sweetly, to the story of an intimate friendship which ebbed and flowed in pain and closeness and ended in estrangement. I hate you/ I love you – she sang. The old man found the song and the singing unexpectedly pleasant. He anticipated the usual tuneless jingle and the usual trite lyrics, but this was bright and sweet and heartfelt, without becoming mawkish. He said as much.

 

 

The young woman was greatly pleased. She confided in him about her current girlfriend, throwing in, as if to assure the old man or herself – but I’ve had a boyfriend before her. We were together for four years. I realised I’m not binary.

 

 

The old man asked, Would you like to hear a poem? It’s a poem about a weeping man, he said. Probably a sad man, like the person in your song. Yes, please, she replied.

 

 

The old man read to her Les Murray’s poem, An Absolutely Ordinary Rainbow. The young woman listened without moving, stunned by the music of the lines and the breadth of the poet’s understanding.

 

 

Wintry sunshine lit up the little freckles on the woman’s arm. The old man recalled with love his freckled sister as a little girl and the lines their mother used to quote: Glory be to God for dappled things…

 

 

The train pulled into the platform. The passengers disembarked. The old man said, Make sure you tell me when your book is published, then he turned left. Taking up her pink carry bag, flinging her pack onto her back and draping herself in her fluffy jacket, the young woman turned right.

 

 

In the half-light of dusk in the cavernous space of the railhead the old man set out for the long escalator which  rose up and up and brought him to an elevated level. He exited the building, looked about him, realised he was lost and returned to the roofed space. Here he took a downbound escalator (this is really a ‘descalator’, he thought to himself) and rode to the platform level. Still lost, he looked about him, wondering.

 

 

Before him stood a young woman. The woman was slightly built with fine freckles and reddish hair. The two exchanged surprised smiles.

The old man thought, this is twice upon a time. The man asked, Which way is Spencer Street?

That way, she said, extending an arm.

Thanking her, he turned to go.

Behind him a voice asked: Would you hug?

Would I hug, he wondered.

She opened her arms wide. The man felt diffident, unusually awkward. Uncertain of today’s etiquette, too-conscious of how others might see him, he held her by her bony shoulder blades while she held him firmly for a time.

Goodbye, they said in unison.

Whittawer

Reading Maggie O’Farrell’s acclaimed ‘Hamnet’ this afternoon, I was intrigued to come across an unfamiliar word. I like it when an author teaches me a new word; this one was whittawer. I reached for the nearest dictionary, The Concise Oxford. Whittawer did not appear.

I wasn’t surprised. The word looked archaic.

Next, I went to the Chambers Dictionary, a chunk of a volume, the fullest dictionary of its size that I know. Chambers offered saddler.

Later, a larger Oxford improved on the Chambers with, a person who makes whitleather. In later use also: a saddler or harness-maker, (from white plus tawer, i.e. a tanner who treats animal skins with alum or lime, which required an apprenticeship of at least seven years).

I put the dictionaries aside and I returned to ‘Hamnet’, where Hamnet’s twin laments his death of the Black Death at the age of eight years. The dying of the child and the grief that follows occupy much of pages 200 to 300. The death and the grief constitute the emotional heft of the novel. Both are particularised minutely. What might take a telegram, (Hamnet Dies, Judith cries), goes on and on, with awesome tread. For this reader not a word is wasted. The pace is meet. A death is one of the two great facts of all that lives. And every death is particular. 

I looked up, seeking perhaps, respite from sorrow. There lay the Concise Oxford, the volume seventy years old, splitting now at its spine. Mum bought this book for her firstborn, Dennis. (She presented similar volumes to each of us three children who followed Dennis into the world of books and new words. To each of us Mum said, Look it up in your dictionary, Darling. That way you’ll remember the new word.) 

I held Dennis’ Oxford in my palm. I had plucked that volume from Dennis’ large library of brainy books after he died at the age of sixty-three. Dennis’ Oxford is of singular construction, with a little demisphere of space excised from the page margin, in twenty-six places, creating a small lacuna for each letter of the alphabet. Mum’s four kids were guided by this ‘thumb index’ into the right spot in our dictionary for every word we sought. Today, in my search for whittawer, my thumb followed Dennis’. It led me back to that gigantic love of that son for his mother. At the physical tip of a bodily extremity I sensed my brother.

I returned to O’Farrell’s story. She gives her reader the bewilderment of the sibling, bereft: Judith puts out a hand and touches the cheek of her twin. Tears course down her face, chasing each other… such enormous tears, like heavy pearls, quite at odds with the lightness of her frame. She shakes her head, hard, once, twice. Then she says, ‘Will he never come back?’

And later, the child’s search for a self-concept in a family transformed by absence:What is the word, Judith asks her mother, for someone who was a twin and is no longer a twin? If you were a wife, Judith continues, and your husband dies, then you are a widow. And if its parents die, a child becomes an orphan. But what is the word for what I am?

I don’t know, her mother says.

(Judith): Maybe there isn’t one…

Fourteen years have passed since I succeeded to Dennis’ Concise Oxford. The thumb indices admit the edge of the pulp of my thumb. Fourteen years, and notwithstanding my wide collection of dictionaries, I still lack a word for ‘surviving brother’.

Book launch invitation

dear all
this coming sunday evening i’ll be participating in a virtual book launch
i’m writing to inform you of the event and to invite you to attend
my invitation comes without a hint of obligation or expectation but with my commendation of a really worthy book that tells a remarkable story
i read it and i was moved
it speaks to us in times that challenge human decency and threaten our liberty
it’s story to remember
i found it inspiring
come along

Click HERE to register


sincerely

howard

A Story for Children

Most evenings I read a chapter from ‘A Threefold Cord’ to my grandchildren in Sydney. I have to wait until they’ve brushed their teeth, then, like apparitions in pyjamas, Ruby and Joel materialise, chattering and excited, on my screen. The book from which we’re reading is the novel I wrote for children in 2013. In the late chapters of the story, three Aussie fourth-graders meet a much younger child named Samara, an orphan, and take her under their wing. Samara has an extraordinary story to tell: she is a boat person, sole survivor of her family who all drowned when their “irregular” vessel foundered off Christmas Island. 

The painful tale that Samara tells of seeing her loved ones slip beneath the waves is taken from events that were life-true facts in 2013. After those drownings the real-life child who lost his entire nuclear family was denied the right to attend the family funeral on the mainland. The Minister for On-Water Matters ruled it out. At the time I felt shame. I decided to exclude that shameful pettiness from my novel. I did not want children readers to think badly of Australia.
After reading of “Samara” to the children this evening, I came across the following: Prime Minister Morrison has issued enforceable physical distancing directives to protect everyone in Australia from infection, transmission and loss of life in the COVID-19 crisis in Australia.1440 people seeking asylum and refugees remain held inside the national immigration places of detention in crowded, communal living conditions, under constant guard and without personal protective equipment or medical oversight into their care.Medical professionals have warned a lethal outbreak is imminent which will endanger the public and place greater strain on health care systems…The former Minister for On-Water matters is now Father of the Nation. I’ve been impressed by his leadership during our present emergency, (I’ve written as much in this medium). He’s been firm, calm, calming. In my simplicity I have difficulty reconciling his religious posture with his previous management of ‘illegal’ asylum seekers. His iron-minded predecessor was likewise a man of conspicuous religiosity. Doesn’t their religion preach love, especially love to the least among us? Their political ministry was bare of love, seemingly at odds with any religious ministry.
A friend of this blog is a Minister in the Anglican Church in this country. He wrote to me today, asking me reflect in these pages on the place of the Almighty in COVID-19. I smiled and I dismissed the idea. Theodicy is a steep slope; on those steeps, I’d just write idiocy. But now Samara calls to me. She calls to all of us, calling in the name of her God, whom she calls God, “Allah.” She calls to us on behalf of the fourteen hundred and forty, ‘the least of us’; she calls for the Father of the Nation to protect the fourteen hundred and forty.
I don’t doubt the Fathers of the Nation have their better angels. In office the Fathers bind their angels’ wings. In private conversation with politicians of the backbench and the frontbench,I’ve heard them sigh and regret not feeling free to act differently. I see these people not as diabolical but as captive. They are captive to their fear of us, the electors, who would punish them for acting not on platform but prompted by love.
It is for the nation as a whole to give the fathers courage, to free their angels, to free the captives, to bring them into their love.

Family, Therapy

I’ve been seeing a doctor who is a family therapist. It all started around 1982 when my family and I were going through an epoch of change; it made sense to me to consult a family therapist. In the 1980’s family therapy was enjoying a vigorous infancy and Brian was one of its champions and very well-known in his field. I suspect Brian’s aura of celebrity was an attraction for me.

 

 

I saw Brian again today, as I have done at intervals ever since 1982. I continued seeing Brian long after I learned celebrity is illusory. You could say I see my doctor now for his aura of ordinariness.

 

 

The family events of the 1982 epoch were decidedly ordinary, but to me they felt momentous: a loving father and his doting daughter found themselves in conflict at bedtimes. Every single night! Tears overflowed from a deep well of love. Leapfrogging shouting matches, feelings wounded on both sides. Bewildering. The child’s parents brought her to Brian with whom she had a private consultation that lasted thirty minutes. The parents were then invited to join therapist and naughty daughter. From that day the loving father has loved and the naughty daughter has doted and they’ve never fought like that again.

 

 

 

I kept seeing Brian. He diagnosed an overdose of compliance. He suggested I cared too much for the expectations of others. He prescribed delinquency. It must have worked because my father remarked: Howard, you’ve changed. I felt troubled and liberated. At the age of thirty-six I’d entered adolescence.

 

 

 

In 1983 my father in law was diagnosed with advanced cancer. He was not old and he wasn’t ready. None of us was ready. We went, four of us, to see Brian. Brian helped us – a family foundering, a frightened cancer sufferer who would not see his grandsons’ barmitzvahs, a shocked wife, a daughter trying all she knew: how to support a father, to comfort her mother, to mother her own distressed children? And a son in law out of his depth.

 

 

 

 

How did Brian help? What did he do? What did he say? I cannot say. But he helped: through the fear, through the dying, through the disfiguring grief in all its forms. Somehow I didn’t cry. I loved my father in law, called him Dad. But when he died my eyes stayed dry. I felt myself shallow. A year later the family was doing well. I watched a TV mother spreading margarine onto white bread. I saw her TV family eating, children dancing around  the mum. The voiceover said, You ought to be congratulat-ed.  And I started to cry. So I went to see Brian.

 

 

 

Perhaps it was Brian who cured my sadness. Perhaps he helped me to know my sadness and to make room for it in my life. For a time we stopped seeing each other. I left his consulting room taking with me the gift of tears, accessible again now after a drought of three decades.

 

 

 

But before too long I was back. I was doctoring as well as I could, I was fathering and brothering, I was a son. And I was doing my best at all of these. I was husbanding too, an amateur at the job. All these jobs, so important! To fail at any of them? Unbearable thought! I needed some help for a problem I couldn’t define. In my sessions with Brian I must have received help without quite being able to name it. I heard myself say once, I measure my life in coffee spoons. It was busy-ness I was suffering from, jamming too many important things into too few frail minutes. For sixty minutes every month or two I’d breathe out. I’d hear Brian ask a question and I’d pause and think and answer slowly. Brian would hear me. I’d hear myself.

 

 

 

And so it went on. Family kept happening: this one married, that one became unwell, another distressed. Parents aged, their bodies failed, their willpower arrayed in fierce battle against any help. Grandbabies were born, astonishing joys, swamping strains, grandparents stretched to thinness. A parent died, a brother died, finally the remaining parent. Family, the furnace and theatre of my life, kept happening; so, naturally did my therapy with Brian. By now Brian knew this family, in its longitude and its latitude, in its occasional depths, in its many heights, as few outsiders could.

 

 

 

Brian never seemed to say much. He’d sit and think and nod. Silences would stretch open and I’d feel comfortable within them. When Brian spoke I’d hear an affirmation – my feelings, Brian’s words – and something more, some new molecule of extension or understanding. It was never portentous but it would sink into me and I’d leave lighter.

 

 

 

As the years became decades I began to recognise distinctive elements in my visits to Brian. Prompted by the remark of another who works in mental health, this seems more like a friendship than therapy, I conceded that partial truth. I heard too unspoken echoes of purists: what sort of family therapy is it when only one family member participates? Fair enough, but not far enough; these thoughts never outweighed the heft, the lift, of one person meeting with another, of a person encountering himself through narrative and counter-narrative; of knowing himself respected, accepted, safe to extend himself and to develop. I could see this as it had become, a friendship. I could sense the fear and the sneer of Authorities that decree that a doctor who is also a friend must be less of both. That absurdity is the zeitgeist, the fruit of the self-distrust which has become normative in all professions. Deeply I know it to be untrue of my friendship with my doctor.

 

 

 

At some stage, perhaps twenty years ago there entered a new element, love. It happened like this: Brian closed his professional rooms and began to see patients in his home.

That home is a Victorian building with a central corridor leading to private rooms. One room serves as waiting area; you enter and find it littered with books and magazines. Comfortable chairs invite a guest to sit and browse. Nothing you pick up is familiar, everything is novel or intriguing. Too soon, the appointed hour arrives and the guest who-is-the-patient enters Brian’s consulting room. Here bookshelves extend from floor to lofty ceiling. Brian appears, offers coffee, I decline, he disappears to prepare his own cuppa and leaves me to the books. I know no library to match this cornucopia. Books of poetry, books of biography, of history, of ideas, of beauty and cultures. Every author I know or have heard praised is in that room. There’s not a book here that I own or would not wish to own. I browse until Brian returns with coffee and spoils it all. I put down the book, passing some remark. Brian says, borrow it if you like, Howard. And I do.

 

 

 

A book lover meets a second book lover in a book bower every couple of months. I meet Rilke and, never understanding a word, I fall into a trance. Brian recommends fellow physician, William Carlos Williams, whom he calls a satyr.

 

A dawning realisation: I wish never stop this “therapy.” I must never cease visiting these books. What’s more I need to continue. Divorce, a stranger to my family story, breaks down walls that were built of my children’s love and faith and hope. The bricks and the timbers fall hard and heavily onto my little ones. The floor buckles beneath them. They are thrown about hard. Will they be broken? Unlike that epoch of my wife’s father’s death, now I know  my pain, I shed my tears, I ache as one aches for the pain in the heart of one’s tenderest. I act strong; I become bricks, timber, floor. How durable am I? Bricks, timbers, floors do not complain. But Brian hears all of this, he nods, he murmurs. He understands. Perhaps he says something that shifts the picture; some light gets in. At the end of the hour I get up and I leave that old room of books, thanking the therapist and riding fast to work. The puffing and the sweating help. I arrive at work feeling encouraged, a bit lighter. 

 

In the calms between the storms we speak of work, mine and Brian’s. What does it mean to labour where we must always fail? What is the call? How to answer the call? I speak of legacy. What have I received? What does it call me to do, to be, to become? What do I pass on? And how? We speak too of a shared passion. Brian and I know the one eternal truth of any great love: love means loss means grief. It is the love of the Collingwood Football Club in whose depths we know this truth.

 

I write and I publish books, articles, opinion pieces. I share many of these with Brian. I present him with a copy of each of my books, inscribing each one in thankfulness. Thankfulness for what? I think I’m giving thanks, in the final analysis, for Brian knowing me. My inscription boils down to, Thank you Brian; I feel known. Brian never congratulates me, never approves the writing. For once I’m not looking for praise or admiration or congratulation, those junk foods of a ravenous ego. It is enough that Brian knows that I write and I am serious.

 

In years past a patient would say to me, I’ll make an appointment to see you first thing next Tuesday morning.

Well, no you won’t. First thing next Tuesday I’ll be seeing my own doctor…

Why so coy? Where’s the shame in saying I’m seeing my psychiatrist?  So I start to say that and it alarms people. They search my face, hoping for a joke. So I explain. By and large people prove equal to learning that every human needs help from time to time. I’m one of those humans who gets help.

 

I reach the age of seventy years and Brian and I speak of retirement. It’s an idea that remains an idea, an abstraction. It sits over there on a shelf, within my view, but dimly, while my work burns brightly, and I continue. So, after his fashion, does Brian. For years now he’s taken no new patients, continuing with a rump of which I must be one. He won’t abandon us. Eventually he expects it must end; he’s ready but are we?

 

Three more years pass. Family keeps happening. Visits to the family therapist continue. Late in 2018 Brian and I appoint to meet again in February 2019. February arrives. Brian asks of my outback experiences and I tell him of the familiar joys, the familiar frustrations, the shocks against which time cannot shield. I speak of family, how once again I’ve been feeling the urge to dash to the rescue of this loved one or that other. We speak of that impulse which is a reflex which has become a habit. I know in my being that habits ossify. What used to work will not work forever. I used to jump to catch my little ones as they fell. Is this what I must do in this late phase, when my little ones are grown and stronger than I know? A habit becomes a pathology, I know. Brian listens, ponders, offers no directive. I’m not looking for instruction. I receive what I need, what always I’ve received from Brian, an attentive listening. I hear my voice, Brian hears it, a quietness settles around us. A seed of thought falls, to germinate and take root and grow.  We’ll talk of it at our next session, or at some session later.

 

It’s nearly time to finish. I speak of Collingwood, of how we came so near to glory, of defeat in those last moments. Brian mourns: remember it ever; speak of it never. A Brian pause, then: we reach a point when we look back and see where we’ve been… how far we’ve come… how far short we’ve fallen. What have we done, what remains to be done? What can we still do?

 

My ears, attuned still to the Collingwood near-triumph, detect an alteration in tone, a new note. It is of valediction that Brian speaks, a farewell, a long farewell to all this richness. He goes on: it is not ours to finish the work, nor are we free to desist from it. I murmur, Hillel, The Ethics of the Fathers.

 

We rise. I pull out my diary to appoint the next visit. “No, Howard. This was our final session.” So it was! I had managed to forget.  Brian escorts me to the door and waves a goodbye. He’s still standing by the doorpost as I jump on my bike. I ride to work, not hurrying, not sweating, just thinking, thinking and feeling. I’m seventy-three years of age. Brian has been my doctor for thirty-six-and-a-half of those years.

 

While Reading my Book of War


Seated on the tram, reading on a spring day
 at noon, I’m distracted by a pink robe passing close to me. My eyes lift to a young face, pale and wet with tears. No sounds, just a face folding beneath its weight of pain. The rest of the person is young, thin, female, quite tall. She’s partially covered by a pink polyfleece robe. Beneath the robe two pale legs stretch down to feet in thongs.

The girl looks about seventeen. Her features are Chinese. I check her for external signs of physical illness and detect none. She’s just a young girl silently weeping. Happily she’s not alone; standing close to her a taller girl clasps her gently. The second girl looks about the same age. She too is Chinese. The comforter’s free hand rests against the back of the  weeper’s head. She bends the head tenderly forward and rests it on her shoulder where it stays a good time.

The two stand, lightly enfolded, bracing against the far side of the tram. They ignore free seats close to them. The tram moves on, leaving behind them the beachside where they boarded. Were the two swimming? What grief or pain or random unkindness of life brought them from the beach?

Ten minutes pass. The weeping face lifts from time to time and faces the tram, unseeing. Tears trickle. No words pass between the girls. The two have not moved from their station at the opposite side. A fair youth seated legside looks up and stares briefly, perplexed. His mouth opens, falls shut. Respectful of private suffering, he turns away. I too feel prompted to help, but diffidence holds me back. What’s more the friend seems to be comfort enough.

Watching for my own stop, I look up at intervals from my book. A few stops out from my destination I look up and find the wall opposite empty. The girls have gone, pink robe, bare legs and tears, and all.

 

Reds Under the Beds

Michael Benjamin Komesaroff was a conspicuous proletarian classmate of mine during our later years at Scopus (1963). He had a lived political ideology, like other Komesaroffs before him, an indivisible loyalty to Jewishness and to his country of citizenship. I recall his vernacular speech deafening us classmates in his espousal of Labor politics. We called him Kommo; he was a social democrat before most of us knew the term. Those same politics marked the generation of his immediate ancestors, and brought them to the attention of ASIO. At the time Lenin was preaching international revolution, a doctrine that unsettled Australia’s conservatives. Here were the Komesaroffs, newly arrived from that revolutionary hotbed. Where did their loyalties lie? ASIO became very interested in them, and now their descendant, with a career in international journalism behind him, investigates the investigators in a new book. “Reds Under the Beds” is the result.

“Reds Under the Beds” describes the abiding interest of Australia’s intelligence community in a family who had immigrated in the early decades of the Twentieth Century.  The author’s love and respect for those ancestors match his feelings for Australia. His meticulous research informs this account of a group whose hallmark was loyalty. The Komesaroffs were loyal Jews who became loyal citizens of Australia. Jewish loyalty mandated their love of Zion and their opposition to fascism, while loyalty to the country of adoption saw them acknowledged as exemplary citizens. Somehow ASIO became all too interested in the Jewish concerns of the Komesaroffs and quite blind to their lives as citizens.

Michael Komesaroff writes his family’s story dispassionately, in clear and clean prose. His analysis of the political tides and times is  revelation, as is his understanding of the contest for middle Australia between Social Democrats and Conservatives. With a calm that is unusual he identifies prevailing anti-semitic attitudes without inflating it beyond its true dimensions. Most topically, Komesaroff shows us how Australians of the most ordinary loyalty can come under pervading suspicion and investigation by Intelligence organisations. In our times, when mistrust of the citizenry is translated into something of a growth industry, a poised and intelligent balance is needed between the community’s needs of security and of community. In the case of these ‘Reds under the Beds’, ASIO emerges, showing limited intelligence.

“Reds Under the Beds” is published by Hybrid Publishers and is available from most booksellers and Amazon. Further details of the book are contained on the Amazon website (here).

As outlined in the flyer, I have the pleasure of launching the book at 4:00 pm on Sunday 15 July at Glen Huntly Park Function Room, Glen Huntly Park, corner of Neerim and Booran Roads.

The Bookshop of the Broken Hearted

Every so seldom I come upon a book to treasure. Every day I read. I inhabit a forest of books,

I sleep between towers of books, some read, some half-read, most unread. No day goes unbooked.

Some in my world of books inform or advise or enlighten. Others – not enough of them – delight or tickle me. Some inspire, some shock, others outrage and a few disgust me. Plenty bore me. But every so rarely comes a story that calls for that overused word, love. Robert Hillman’s ‘Bookshop of the Broken Hearted’ is a book to love.

What do I mean here by love? In two separate surveys carried out a decade or so ago, respondents were asked to name their most-beloved Australian novel. I saw listed many books I’d enjoyed, by authors I admire. Before reading the results I made my own nomination – Tim Winton’s ‘Cloudstreet’. I read the rankings, and there, topping both surveys, was Cloudstreet.’Just so: Winton’s characters, their stories, their rich and variegated humanness, are given to us in their fulness, given us to love. ‘Cloudstreet’ stays with the reader and is recalled with love. ‘To Kill a Mockingbird’ is another such.

Ripe for adding to that list is Hillman’s ‘Bookshop’. It broke my heart and it healed it. I laughed (my guffaws this morning alarmed a tramful of screen-trapped commuters) and I ached for the child. And for the adults who saw this child and that child torn from them I felt a distress that has visited me only once outside of a book, when the (false) report arrived that my child had a fatal malignancy.

‘Bookshop’ left me hopeful but not complacent. I will cherish the simple farmer who is the protagonist and I will tremble for him so long as memory abides.

I invite you come to Readings Bookshop in Carlton, to hear Robert Hillman in conversation with this happy blogger at 6.30 pm next Monday, May 7th.

Love and Treachery

In the movie, ‘Goodbye Christopher Robin’, the grown-up Christopher confronts his father who has commercialized the son’s persona: ‘You weren’t writing a story, you were doing research.’

A.A. Milne feels the force and truth of his son’s accusation. Lifelong the son would refuse to accept any of the vast proceeds of the stories and poems that grew from a father’s love of words and a boy.

Two years ago a friend confronted me in pain and in anger: ‘When we talked I thought we were

speaking as two friends. But you were there as a writer.’ I felt the force of his pain and the truth of my treachery. In time my friend gave me the great gift of forgiveness but a feeling of shame lingers.

My mother used to read the Christopher Robin stories to me when I was very young. Oddly I don’t recall reading them to my own children, but when my first two grandchildren were aged about three I’d push them to my mother’s house, where we four would eat cakes and pastries and I’d read aloud

the poems from ‘When We Were Very Young.’ My mother and I felt strangely moved. The children seemed to enjoy the ritual; they certainly enjoyed the cakes. The lines, Do you have a rabbit/

I do like rabbits/But they didn’t have a rabbit/Not anywhere there… always lumped up my throat.

I did not need to turn and look to know Mum’s eyes were misting as I read.

I imagine those lines will always bring back to those grandchildren some primordial sensation, some thrill or echo of my ancient loves: my love of words, my mother’s love for those words, our love of the

sharing, our love for those cake-stuffed tenderlings whom I held on my knee.

Those children are bigger now. Soon they will be grown up. And they’ll watch their grandfather the word lover as he plunders life and writes his loves, and struggles with his traitor’s heart.

The Lady in Seat 22 F  

Somehow the airline separates me from my wife. They allocate Annette seat number 21 C and they give me 22 B. Arriving at Row 22 I find seat B occupied by a young mum with a baby on her lap. The baby is asleep. The young woman explains: ‘The cabin attendant switched me so my Mom and I can sit together. Do you mind?’

I don’t mind at all.

The cabin attendant appears at my elbow. ‘Seat 22 E is free. Do you mind sitting there?’

I don’t mind at all.

I take my seat between a youngish man and a younger woman. He’s a muscular nugget. His fair facial bristles catch the morning sun and glow gold; she’s slim, no whiskers, café au lait skin. The man busies himself with his keyboard. I open my paperback. The lady smiles, says, ‘Hello’. I catch an accent, try to place it. Guessing she’s a Latina I prepare some Spanish. ‘De donde estais?’

‘Not from Espain. Not from any espanish speaking country. Try to guess.’

‘Slovenia?’

The smile widens. She shakes a lot of wavy hair: ‘No.’

‘Turkey?’

More hairshaking. She’s laughing now.

‘One more try.’

Guessing wildly I try Portugal. She laughs a merry laugh. ‘No. Saudi Arabia.’

Golly. No head covering, light brown hair, pretty conventional western dress.

‘She proffers a child’s hand: ‘My name’s Amy.’

Golly.

‘Hello, Amy. I’m Howard.’

‘What is your country, Howard?’

‘Australia.’

I give her time to absorb the incredible. Then, ‘You are Muslim?’

‘Yes, of course.’

I remove my cap, lean forward, reveal my yarmulke: ‘I’m your cousin.’

The smile widens. She’s delighted: ‘You are a religious man. I pray every day five times. I am estudent.’ She names her university in Los Angeles, a name not known to me.’ When in Saudi Amy wears her head covered, ‘only my face you can see.’

Amy tells me of her two brothers and her sister who are back in Saudi Arabia, with mother and father. A second sister is studying in LA with Amy. She points to a rich head of darker hair that crowns a quite ravishing face in a nearby row,

I spend some time pondering the life of a young Saudi woman on a US campus. A woman who dresses western and prays every day five times. Pretty brave, I suspect. And incidentally, pretty easy on the eye.

‘Amy, why do you take the risk of speaking candidly like this to a strange man?’

The head lifts and she regards me, smiling a little as to one who is naive: ‘Instinct.’

Back to my paperback. The young bloke types something about a baseball match. The young woman takes out some study sheets. I sight some highlighted terms familiar to me – homeostasis, perception, adrenergic flight/fight response. The head of wavy hair bends over the notes, a child-size finger traces the lines, her lips frame the foreign words.

‘What are you studying?’

‘Clinical Psychology. And what is your profession?’

‘I’m a doctor.’

‘That’s good. Maybe you can tell me what is homeostasis.’

I tell her what I understand by that term, the neologism I encountered first in 1965, a word that widened my mind.

Amy nods gravely and thanks me.

After a while Amy sets Clinical Psychology aside. She looks at my book and asks:’ Is that a good book?’

‘I think so, yes.’

‘But you do not know?’

The book won a Pulitzer. A close friend pressed it on me, saying: ‘Read it if you want to know DR.’

Do I like it? Not much. At least not yet. The plot, yes; the characters, yes yes yes. The style, not much.

Homeostasis is simpler to explain than ‘I think it’s a good book, but I do not know if I like it.’ A deep breath and I essay some literary criticism: ‘This book won America’s top award for literature. I think it gained attention for its unusual style of writing and for telling the modern history of the Dominican Republic in the story of one unfortunate family. The writing is bright, the story is dark. The language is lively, plenty of street talk. Every third word is nigger, every fourth word is fuck.’

I pause. No shock registers on the estudent’s face.

‘The characters are vivid and their story is dramatic. So, yes, I think it is a good book, an important book. Even ‘though I do not enjoy it much. Yet.’

‘You read many books?’

‘Yes, I do.’

‘Tell me please what books are good for me to read. Books you do like.’

She couldn’t give me a pleasanter task. The flight from Los Angeles to New York takes four hours. That might suffice. I speak of my favourite of all books written in the twentieth century. This is the book I read at Amy’s age ( I’m guessing here she’s as old today as I was fifty years ago): ‘The Leopard, an Italian novel of an aging aristocrat – you know? (Amy nods) – he sees the life he has known and loved, a life of privilege, passing. He knows that life will be lost.’

Amy remarks, ‘Life in my country is also changing… Slowly.’

Next I speak of Anna Karenina. ‘This is also an old book, more than one hundred years, written by another aristocrat, Leo Tolstoy. It tells the life of a woman who disobeys the rules of her society and obeys only her passion. She loves a man who is not her husband. I like this book very much; I respect Anna’s courage but I am angry at her too. I am angry because she turns her back on her son, a small boy.

‘It is an important book, one of the earliest books to give a woman strength, courage to make choices and to follow her own path.’

I watch Amy for signs of disapproval or discomfort. No sign of either.

‘Although I don’t entirely like Anna, the character, I like the book. The author shows us life. Like Shakespeare, he knows the good and the bad, the strong and the weak. He knows them and he shows them. He is not the judge, he gives us the life.’

‘And one more. This is maybe America’s most beloved book of the Twentieth Century. I love it very much. It is called, To Kill a Mockingbird. It is written by a woman, Harper Lee. The story is told in the voice of a small girl who lives in a town in America’s south at a time when many white people showed no respect for black people. The girl’s father is a lawyer who tries to save a black man who is accused of raping a white woman. You read this book and you love the father and you love the child.’

Amy asks me to write the names of the books she should read. It dawns on me I’ve recommended three books that challenge old norms. The books subvert male dominance, they chart the passing of feudalism and ancient authority, they show the rule of equal law.

I have lots of questions. Amy answers them readily. No she doesn’t go out with men (‘I am a good Muslim’), but she had been engaged to marry a man whom she chose. That was back in her home country. Later the engagement ended, the free decision of both. No hard feelings, no honour issues. It occurs to me Amy has found in Seat 22E a Father Confessor. I wonder about her vocation: I don’t know anyone who works in mental health who enjoyed an easy childhood.

The aircraft’s engines keep up a steady hum. Conversation is hushed and most passengers sleep. As Amy sits at the side of one of my deaf ears, there’s no lip-reading and I miss some of her speech. When I ask, ‘What work does your father do?’, I miss her reply. She repeats : ‘He’s a general in the Air Force.’

Golly.

She adds, ‘My mother is a school teacher.’

‘When you finish your studies will you return to your country?’

‘I will visit. My older sister has two babies. I must see them. But my life, I think maybe here in America. And my sister Sara, she is here.’

My mind races from question to question: Is Amy the right sort of Muslim – by the lights of the current President – to be admitted to the USA? What does Daddy the General think of Amy’s choices – dress, spouse, profession, place of residence? All her choices bespeak independence but in reality she must be completely dependent on Daddy. Amy has none of the bearing of the rebel – there’s nothing defiant in her speech – yet her Americanness must challenge Saudi norms. I think too of the engagement of the Saudi’s military – especially the Air Force – in the nasty war in Yemen. A Saudi general would be a serious man.

These are questions this old man does not ask. Meanwhile the estudent has put away her study notes, buried her head in a blanket, tucked her legs beneath her and, by some miracle of youthful calisthenics, made herself comfortable enough to sleep. For the next two hours the Princess of Araby slumbers in Seat 22F. She awakens as we descend, smiles, shakes my hand and asks, ‘When will I meet you again, Howard?’