My Mum

My mother is dead. This is not news to me nor to an attentive reader of my musings on the net; Mum’s been dead since 2009. But the fact precedes the realisation. I feel the pleasure of being her son every time I think of her. That pleasure persists, felt it in the present tense. Especially today.

  To know my Mum was to smile. She was both vague and humorous, almost daffy, at least in respect of the weight of the world.

Mum knew sorrow. She lost both parents to natural causes in her childhood. She survived the death of her husband (‘he was a lovely man’) and a few years later, the death of her firstborn son, who lived, it seemed, solely to bring pleasure to Mum’s last years. A few days before her ninety-second birthday, battling the heart failure that would kill her only a few days later, Mum literally laughed at death. Already breathless, with fluid pooling suddenly in her lungs, she suffered a coughing fit, gasped, gasped more deeply, turned grey and slumped. A few milligrams of hero molecules and some litres of oxygen later, Mum awoke and grinned. From behind her mask she chuckled and gasped: ‘They thought I was going to croak, but I didn’t!’

Dad’s heart started to play up in the months preceding his demise. I felt a doctor son should warn my unworrying mother: ‘Dad’s heart disease could kill him, Mum.’

‘I know that darling. That happens to old people.’ And to comfort and prepare me, she added, ‘Death is part of life.’ 

Mum’s acquaintance with sorrow seemed to leave her unharmed. Events always had their brighter side. You could always laugh.

I wondered about this. This was not a shallowness. Mum loved generously in a way that would be reckless in any normal person. She’d invest in love, lose the entire capital and somehow end up liquid.

What was her secret?

Did she learn something early in life that helped her to surf, ever buoyant, upon the waves and dumpers?
All I have to account for my mother’s lightness of being are my memories and her stories.

Of her father: ‘Daddy was at sea on his lugger for weeks at a time. He’d spend the idle hours carving mother of pearl and tortoise shell to make jewellery for Mummy.’

‘Daddy used to give concerts at the Town Hall on his one-stringed violin. He was very artistic.’

Mum’s face is alight as she speaks. Her father is always ‘Daddy’, the affectionate diminutive bright in a daughter’s smile and lilt of voice. ‘When Daddy was dying the nuns asked the whole school to pray for him.’

‘Daddy carved this brooch from the mother of pearl and pearls he brought from the bottom of the sea. He made it for Mummy when they were sweethearts.’

‘During the Depression Daddy went bankrupt. He worked for a real estate agency after that.’ Mum points to a black and white photograph of the staff of the Agency. Four stiff middle-aged men and one commanding matron stare at the camera. As old as any but much the youngest in facial expression, my grandfather smiles impishly.

‘Then he got lung cancer and died.’

Driving past Brighton Cemetery, with a wave of a hand, ‘Daddy and Mummy are in there – just next to John Monash.’ A six year old boy cannot reconcile that champagne voice with the terrible intelligence of the death of parents. I wonder at first if ‘Mummy and Daddy’ might by some magic still live, ‘in there’.

Mum pronounces the famous surname, ‘Moanash.’

In my university years I need to correct her; ’Mum, it’s Monnash, not Moanash.’

‘No darling, it’s Moanash.’

‘Mum, three thousand people go to Monash Uni every day and they all pronounce it Monnash!’
‘Do they darling? I must be wrong then. It’s just we knew the family and they pronounced it Moanash.’
Of her mother: ‘Mummy died three years and three days after Daddy. She died of a broken heart.’ For Mum rheumatic heart disease is translated to a love that killed but never died.
‘Mummy was extremely elegant. She made her own clothes. If you look at her pictures you’ll see she always wears a half sleeve. Mummy’s arm was burned above the elbow and she always covered the scars.’ 

Of her philandering uncle; ‘Harold should never have married Grace. They lived perfectly happily while he kept her as his mistress. Once they married, Grace couldn’t tolerate his lady friends. After Harold took one lady friend on a cruise to Tahiti Grace never forgave him.’ Mum’s voice expresses wonder at the anger of a woman scorned. ‘So she tried to poison him by tampering with his heart medication. When that failed she removed the tacks from the carpet at the top of the stairs. Harold fell all the way down but he wasn’t hurt.’

Lots of stories, lots of memories, all recounted lightly. Did Mum have no bad memories? Or did she simply lack that faculty when to remember would create sorrow?

There was one. When Mum told me this in my own early childhood I felt swamped in vicarious grief. We were walking at the top of Pine Avenue in my home town of Leeton Mum paused outside the toy shop. ‘Howard I want to buy you a present. It’s important. You have to let me buy you something.’

Surprised by this; I didn’t need to be persuaded.

Mum went on: ‘When I was a little girl I didn’t allow Daddy to do that. He wanted it so much and I didn’t let him. It was a doll. Daddy took me into the toyshop and we both saw her. She was nearly as big as I was. I saw her and I loved her and I wanted her. I wanted her enough to burst. Daddy said, “Would you like that big doll, Yvonne?”

I wanted her so badly I felt it must be greedy to say yes. I shook my head. “Really?” – said Daddy. “I’d like to buy it for you. Say ‘yes.’” But I couldn’t say yes. Because I’d already said no. If I said yes now Daddy might think I was only pretending not to be greedy. He’d think I was greedy and bad for not saying what I truly wanted.

Daddy kept trying to persuade me. I kept shaking my head. Daddy looked hurt. My pride hurt Daddy and my foolishness hurt me. We left the shop, Daddy sad and confused and I too sad to cry. We left and I knew I would never have the dolly.’

One clear memory of sorrow. Clear, sharp, unbearable for the listening child. I said nothing because the sadness was stronger than my words. The only story of sadness I ever heard from my mother’s lips. All the rest – one day short of ninety-two years – is sunlight.

 
 
In an era where corporal punishment of children was everywhere and unremarked, Mum only ever smacked me on the bottom on two occasions. Afraid she’d hurt me, she didn’t have her heart in the job. On the second – and final – occasion Mum gave up when both she and I were overcome and helpless with laughter.
 
Here’s my best guess: her father (‘Daddy’) dies after a horrible illness; her mother (‘Mummy’) dies after a long, long illness. Aged fifteen she looks about her life. She sees Doreen, her younger sister, and ‘Gar’, her mother’s mother who moved in after ‘Daddy’ died. If that’s the worst life can do to her, she decides, life is worthwhile. There is still love.
In this all-female domesticity Mum learns from the example of Gar – herself an emancipated widow – that a woman ought be confident and fearless – of men (who are lovable and inferior) and of death. And Gar’s dictum, ‘what I cannot cure, I must endure,’ shapes the girl’s life.
 
Less than a decade later the girl will lose family in the Holocaust. In her seventies and eighties she will suffer stroke after stroke, culminating in a haemorrhage that tears her brain; she will lose fluency and clarity of speech, she’ll inhale perilously as she swallows, her gait will be shattered and continence lost. She will tell this son, ‘I’ve never been happier because I’m surrounded by people who love me.’ And as an afterthought, ‘I really think I could still drive, darling.’
 
She reviews her life: ‘I’ve never achieved any status, never followed a profession, never been well-known for anything. But I have four children who love me and that means something.’
Each one of the four feels so truly and well loved, we all feel morally certain we must be the favourite. All four of Mum’s children inherit, to a greater or lesser degree, Mum’s temperament. Of the four, it is Dennis whose life is most difficult, but he lives through loss and disappointment, ill health and frustration, buoyantly.
 
 
Today is Mum’s ‘yahrzeit’, the anniversary of her dying. In the Synagogue last night and again at dawn this morning, this son – this unmourning orphan – leads the congregation in prayer, recites Kaddish, and lights the memorial candle. He sheds no tears in remembering but he gives thanks.

Alone and Palely Loitering

You walk past them at lunchtimes and at smoko, you see them sheltering under eaves in foul weather, you see them in their outcast clusters, you see them and you avert your gaze for fear your concern will offend.

They are many, these persons of all ages, members of an underclass. If they were to unite as voters they’d overthrow governments. If they were to become radicalised we’d tremble in our beds. But no, they do nought to us and all to themselves. These human persons harvest leaves and dry them and chop the dried leaves finely then wrap the product in a cylinder of paper. Carefully, accurately, with practised fingers, they burn the leaves, then hungrily, deeply inhale.

Alone in the animal kingdom these sentient creatures do not flee from smoke.

I see them, I see my friends, who meet my gaze and smile in confession – and I am sorry to see – in embarrassment.

A long time ago my father in law was dismayed when advised by his tobacconist (yes, he saw a specialist, no mere candy vendor) that Chesterfields would no longer be imported to Australia. The tobacconist asked: ‘How many do you smoke a day?’

My father in law told him.

The tobacconist responded: ‘You are a very special customer; we’ll make sure you stay supplied.’

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The very special customer became too breathless to read a bedtime story to his grandchildren. Soon he developed a cough. Suspecting cancer he stopped smoking.

Not long after, the very special customer died of his disease and my children lost their very special grandfather.

Manufacturer Phillip Morris continues to accommodate its special customers. My friends huddle and shelter while I shudder. And I direct my superannuation to alternative investments.

During Wind and Rain

 

During Wind and Rain

Like Julius Caesar on the Ides of March, I defied my wife’s advice. She said, as I mounted the bike, ‘they predict wind and rain. Don’t go.’

I did go and a pleasant ride it was through darkened streets, shining in the streetlight. Clouds muffled sound, the traffic was not yet up or much about, my old legs pedalled a judicious way and I felt cheerful and vindicated, like Julius before the Rotunda. My rotunda struck with fine – indeed wifely – force in the park, about fifteen minutes out from warmth and shelter. 

The wind was a whip that circled and struck, now flinging the bike broadside, now howling head-on against me. I pushed the pedals and nothing moved except a wifely voice saying she told me so.

I could still feel my fingers but they were not the fingers of one alive. My face stung, my shapely legs experienced piloerection within the all-weather tights that now sogged and flapped. My nipples froze and I knew I’d never breastfeed.

I thought of Thomas Hardy, the voice of winter’s wintering and I was warmed and cheered.  I saw beneath my wheels ‘the sick leaves reel down in throngs.’ I bethought myself of my loved ones, both those warm and safe and those lying outdoors, as ‘down their carved names the rain drop ploughs.’

Remembering a loved poem is like meeting a loved friend. Hardy wrote ‘During Wind and Rain’ in 1917, five years after his wife died.

They sing their dearest songs—
He, she, all of them—yea,
Treble and tenor and bass,
And one to play;
With the candles mooning each face …
Ah, no; the years O!
How the sick leaves reel down in throngs!

They clear the creeping moss—
Elders and juniors—aye,
Making the pathways neat
And the garden gay;
And they build a shady seat…
Ah, no; the years, the years;
See the white storm-birds wing across!

They are blithely breakfasting all—
Men and maidens—yea,
Under the summer tree,
With a glimpse of the bay,
While pet fowl come to the knee…
Ah, no; the years O!
And the rotten rose is ript from the wall.

They change to a high new house,
He, she, all of them—aye,
Clocks and carpets and chairs
On the lawn all day,
And brightest things that are theirs…
Ah, no; the years, the years;
Down their carved names the rain-drop ploughs.

 

Thomas Hardy: During Wind and Rain 

My Sister Margot


May thirteen 1949 my sister emerged as the sun set and the sabbath arrived.


The doctor from the next town, nineteen miles distant, did not arrive – the Murrumbidgee had broken its banks and a sea separated Narranderra from our town of Leeton.

Dad was an accomplished accoucher.  The other doctors in our town did not come up to his standards so Mum had to give birth to her firstborn and to me in the City.  Third time around Dad had chosen that doctor in Narranderra – apparently he was competent enough to bring Dad’s children into the world.

But the waters held him distant.

So Dad delivered my parents’ third child, their first – and as it turned out – their only daughter.


She had red hair and she grew freckles, but my parents overlooked those abnormalities and rejoiced.

The baby’s name was Margot.

I look at the watercolour portrait of Margot that we grew up with and I see now she really was beautiful.

 

I could not see her beauty back then. She attached herself to her older brothers and wanted to go everywhere with them. One day when she was fifteen months old Dennis and I had urgent business at Iano’s Milk Bar. Margot, mother naked, wanted to come. We said no, closed the gate behind us and set off, ignoring her cries. 

At Iano’s someone said: Is that little girl your sister?

Margot had run across wide Wade Avenue and chased us three hundred metres. Here she was, unclothed in her girl way, and embarrassing. 

I said, I’ve never seen her before.

 

Margot grew taller and her golden hair grew longer. Eventually it hanged down to her freckled bum. The photographer from Melbourne Herald sighted all that flowing splendour and the photo appeared on the front page of the paper.

 

Margot married. In her innocence she was unaware her husband was a genius. She could not foresee how his talent would drain them from Australia to America where successive chairs in neuropsychopharmacology awaited his brains.


When Margot removed to New York our mother did the maths: a year was a twelvemonth; Mum had four children. Twelve divided by four equals three. Mum would spend three months of every twelve with Margot and the tribe she was creating in America. 

Dad stayed at home and worked and missed his freckled girl.


In my novel, ‘Carrots and Jaffas’ I create a titian-haired woman with freckled, sinewy legs who lives by the Hudson in Riverdale, New York. She runs like the wind and never tires. She is good to her brother.

 

She’ll turn sixty-six this may thirteenth.

“I’m just a boy whose intentions are good; Please don’t let me be misunderstood.”

Picture: Ray Strange Source: News Corp Australia

Picture: Ray Strange Source: News Corp Australia

A photo in the current issue of The Monthly shows Bob Hawke and John Howard seated together at a public event to honour the memory of a deceased Prime Minister. Their old faces deeply creased, their bodies close, Hawke’s right arm entwined with Howard’s left, the picture of two old men united in deep sympathy – and in Hawke’s case at least – showing characteristic demonstrativeness, as his hand gently grasps Howard’s thigh. The image arrested me. I thought of Yeats’ Lapis Lazuli:

‘There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies…
Their eyes mid many wrinkles, their eyes,
Their ancient glittering eyes…’

In the same issue of the magazine I was arrested by an equally unexpected image: Noel Pearson the leading Aboriginal intellectual seated close to Tony Abbott, our Prime Minister. Pearson looks past the PM, gazing severely into the distance; Tony Abbott, smiling tightly, looks upward to Pearson’s face. I spent some time interrogating their expressions. In Pearson I found depth, a sober realism. In Tony I saw yearning. I wondered how it was the PM appeared to be the supplicant, the client, while the man from disadvantage wore such self-assurance.

Tony Abbott is co-author (along with predecessor PM’s and a succession of underlings) of our World’s Worst Practice towards human beings who arrive in Australia by boat and seek asylum. That policy is cruel by calculation; it is calibrated torture. Our practice is a precise antithesis of the parable of the Good Samaritan. Now, would-be-good Tony knows this and only by a sustained effort of moral contortion and will can he manage to unknow it.

Along with Morrison, Ruddock, Howard, Beasley and Rudd, Tony Abbott is an avowed believer. He belongs to a claque of believers who perpetrate this unchristian – indeed antichristian – policy. How do they all do it? What do the believers believe?

In Tony’s case the face I see is an innocent face. He gazes towards his grownup interlocutor, his expression seeking approval: he seeks a word or a sign: “Good boy, Tony, you’ve done well.” Like a small boy Tony seeks affirmation. By means of sustained effort he has gained this, successively from the ghost of Bob Santamaria and from Cardinal George Pell. From such firmly formed personages Tony learned notions of goodness. He would be good and thereby be approved.
The child looked for affirmation from John Howard and the Liberal Party. He sought our approbation too and, in opinion polls and at the last federal election we gave it. We became complicit in sustaining the ego structure of this needy child. Patently we no longer show approval to this immature person. He locks himself inside a tightening circle of insecurity, looking to spouse, offspring and advisors, some of them women, to whom he seeks mothering.

On Mother’s day I will muster all the compassion I am capable of and try to think kindly of Tony Abbott, the child leader who just wants to be good (just so long as we’ll approve).

A Musing

At first hearing the term “blog” feels slightly ingenious (web log – right, I get it). More than that the word falls heavily upon the ear, unsubtle, ugly and crude – the more so since in the vernacular of childhood the bog was the lavatory. When we visited the lavatory whatever solids we deposited there were collectively a ‘bog.’ The term remains current but not predominant.

Initially I disdained the term ‘blog’. I knew instinctively that a blogger must be vain and unselfconsciously vulgar. I knew I would never write one; I would never be one.

Yet here we are. Of course I am flattered that over  two hundred and fifty persons have managed to overcome these unpleasant redolences and ‘follow’ these postings. Yet, two or more years after embarking on the practice I remain unreconciled to blogs and blogging. The words suggest turds.

So what are we sharing? I think this is Howard Goldenberg’s column, too occasional to constitute a diary, yet intimate enough to be that. This is Howard thinking aloud, thinking personally. Self-absorbed in tone, vain in ambition, unexpectedly enriching to the writer in its fruitful exchanges.

Being now FED UP, I resolve that so long as I remain a bogger, I’ll no longer be a blogger. When King George V lay on his death bed a friend visited and remarked encouragingly, ‘You’ll soon be up and about and able to take your annual holiday at Bognor.’ To which the king replied: ‘Bugger Bognor!’ – and died.

As for me, Bugger Blogger! I am glad to announce this blogger has died, executed, the punishment for linguistic ugliness well overdue.

Good morning, welcome now and henceforth to the occasional musings of Howard Goldenberg.

An Outbreak of Bibliophilia

Children, like humans, thirst endlessly for stories. My own seven grandchildren, who range in age from twelve-year old Jesse to two-year old Ruby, love stories. They thirst for story as we elders hunger to give story.

‘My son,’ remarked Rabbi Joshua to Rabbi Samuel (Babylonian Talmud, Tractate Sanhedrin), ‘More than the calf yearns to suck the cow longs to give suck.’ How do I know this maxim? That story dates back to the commencement of the academic year in March, 1965, when I purchased the latest edition of Samson Wright’s textbook of physiology. I opened the great tome and found at the foot of an otherwise blank second page the above quotation. The sole yarmulke wearer in the class, I was the only one of 120 students likely to have knowledge of the Talmud. But the passage was new to me. And I was astonished to read the quotation and its attribution in this secular text.

What have the lactation urges of the cow to do with human physiology? Everything, it happens: that interrelation of forces, that feedback loop, that mutual energising is the very stuff of homeostasis, which operates also in markets, in the climate and in the biological relationships between humans. The sage Rabbi Joshua nailed a great truth. But I fear I wander.

The entire purpose of children is to satisfy the need of humans to regale them with stories. The reason children don’t run away is their reciprocal story hunger. The reason we don’t chuck teenagers out is the promise they’ll one day employ their disturbing sexual organs to create grandchildren for us so we can resume storytelling. And that’s what happened: my adult children used their sexual organs for the pleasure of their parents, creating seven grandkids.

All seven served their grandparents well, occupying yearning arms and longing laps, snuggling in and subsiding to the song of the story. Then they learned to walk. Two of seven, both of them boys, took to their heels and never stopped running. In time, although those two learned to read, they never took it to heart; it is in motion that they find themselves, one in organised sports, the other in disorganised sport. (Readers of this blog will recall this boy and the rescue of his fingers when trapped in a bathplug.)

Their bookish grandfather gazes upon the boys and sighs. He calls them to the couch for a story but the call of their balls is louder. Off they run, to soccer, to cricket, to mayhem.

What will become of them? What will become of grandfather?

Later the ball-players have returned home. Grandfather wanders to the toilet. Before him, on the floor, lies a cornucopia of books; the disorganised sportsman comes to a stop in this place. And in this sanctum he reads.