Letters to Mr Wilson

The boy is seventeen now.  We hiked these hills to the lighthouse once before, when he was only twelve. At that time he was a tough little martial artist. In the years since the boy has grazed in the lush meadows of high school and his muscles have lain fallow.

 

 

Weeks before we set out I warn him he’d better train those muscles with some long, hilly walks. It might be tougher this time, darling.

OK Saba.

In the event the boy studies hard and does not exercise. Adolescence is a place with few words. At least few words spoken directly to an ancestor, plenty into a phone. Sucked into silence the grandson has become scarcer, harder to feel.  

 

 

This grandson is the first of his generation, a dandling, darling of us all. In this epoch of change I think of those earlier times and I miss him. Does he miss us, I wonder? In the silence I’ve been remembering the vulnerable boy who walked here with me last time. At the time he showed me his naked wounds. Feeling uncertain whether he’d want to do the walk again, I asked: How would you feel about a hike to the lighthouse at the Prom, darling? Just the two of us?

I’d love it, Saba!

 

 

We start out at six, an hour neither congenial nor customary for the boy. The boy says, Can we stop somewhere for coffee, Saba? I point out the thermos at his feet and soon we’re both drinking happily. The boy can’t stop smiling. Neither can I. He says, I’m pretty excited, Saba. Through the open car windows warm air caresses our faces: It’ll be a hot day here in town, but it should be cooler in the hills. I speak as the elder, the experienced one, the sage. In the prevailing agreeability the teenager accepts all I say, challenging nothing.

 

 

In the city, through the suburbs, rush hour rushes ever earlier. We grind our way among vehicles that fling themselves forward against fate. For once I’m not drawn into the race. Time is our marshmallow.

 

 

Into the green now, we’re starting to climb. The Strzleckis are shapely hills of green, alternately rolling and steep. The pastures draw the eye up, up, across, down. ‘Lucky cows, lucky sheep’, you think. And you think, ‘These hills, so easy on the eye, not so easy on the legs.’

 

 

Being as wise as I am, I lecture the boy on his studies, I lecture him on building his future, I lecture him on the value of studying hard through this long vacation. The boy listens to my wisdom, and says, without apparent irony, Yes, Saba. Outside the sun shines and the world warms.

 

 

The boy looks out: Smoke haze, Saba.

Really? – I wonder. We arrive at Wilson’s Promontory National Park where a Ranger says, Those bushfires are ’way to the east. This wind is blowing from the north. We’re alright here unless the wind changes and comes from the east. Good news – as far as it goes. I remember Black Sunday and the firestorms that tore through these forests. Last time, when the boy and I passed through silent hills of blackened boughs, there wasn’t a green shoot anywhere. The silence and the black haunted those flatlands. I spoke wisely about it all at the time.

 

 

‘Lightstation 19 KM ‘ reads the sign, ‘Six hours’ walk.’ Six hours for old people and children’, say I. ‘We’ll be quicker than that.

 

 

We set off at a smart pace. Our track is kind, chiefly leading us down long hills. After a few easy kilometres we pause for Saba to recite his morning payers while the boy eats and drinks. Hikers pass us in both directions, Good Morning! – they cry, then hide a double take at the old man in his ritual regalia. In the benevolent fellowship of the hike they march on without a backward look. I finish and I ask the boy, Did I embarrass you, darling?

No Saba, you look like a wizard in your white tallith. Gandalf of the mountains.

 

 

We pack the remains of our brekkie and start out again. Three steps on I freeze. Stop! Don’t walk! I point to the snake. It’s probably an adolescent, like the grandson, long and thin. Its back is coloured deepest brown, its belly a rich tan. Even an adolescent can hurt you. Snake makes his unhurried passage across our path. We stand and wait our turn. In the dignity of his passing I remember Lawrence’s snake in Sicily, with Etna smoking.

 

 

We walk on. Over our shoulders to the right are the creamy swathes of Oberon Bay. Below us we look down on a forest that covers the valley floor between our track and Oberon Bay. The grandson says, It’s eerie: we’re looking down on the tops of trees. Cool.

Cool and beautiful, this shivering green carpet of spring growth.

 

 

Last time, when the boy was small, I entertained him with letters of complaint penned in my head to Mister Wilson. I complained about the hills: 

 

Dear Mister Wilson,

 

Nice Promontory you have here. No need for all these uphills, though. We’re quite content with the flat, we have no complaint about the downhills. Please bear that in mind as we progess toward the Lighthouse.

 

 

Ahead of us, abrupt slopes of dark green draw the eye upwards. Beautiful, silent, strong – mountainous actually – more grounds (five years ago) for complaint to Mister Wilson. Slugging up those slopes back then, I wrote;

 

Dear Mister W,

 

Have you been paying attention? Too many hills, too steep! Put your hills away from the track, over to the side, where we can see them and we can admire your designs. No need to put your hills right here where we have to walk!  

 

 

At the time these letters of the mind seemed to ease the boy’s passage. He’d laugh and nod his head and agree with me, yes, Mister Bloody Wilson was a slow bloody learner. So slow was Mister Wilson to take heed, I found it necessary to raise my voice:

 

Hey Wilson!

 

What is this? A man and a boy are supposed to be having a holiday here. Why do you fling these great bloody alps all over the place. You’re tiring us out with your granite  and your gravel and your scree, and all these steeps.Go easy, Wilson, or we’ll have to report you.

 

 

Yes, five years ago I was a very funny grandfather. I’m still funny but I sense a seventeen-year old would find the uphills funnier than my humour. This time I hold my peace. I address no mental correspondence to the Eponym of the Prom. Instead, I devote my energies to breathing. We’ve passed half way; we’ve left behind the downhills that would lull the unwary; we’ve passed through the burned forest, now green again and lush, with soft gravel underfoot and the roadway undulating gently. Here on these hills, the sun blazes, there’s no shade, the gravel has given way to fine, retardant sand and this steep little bush track is really tough. The wise old weather prophet got it wrong: it’s very hot here at the Prom.

 

 

I breathe and breathe and follow my grandson.  He looks back and even though he slows I do not gain on him. He looks back again and pauses. Let’s have a drink, Saba. We sit and drink our warm water that was solid ice at six this morning.

 

 

We resume. The track winds upwards between low shrubs and ferns. Away to the right we can glimpse the blue of the sea. Beautiful. Mister Wilson got that one right. Above us our path reaches a crest, promise at last of a break. But no, the hilly little track turns a bend and leads on to higher perdition. I breathe and I think basic thoughts: How tough am I? How much more of this before a sclerotic old coronary artery occludes itself? 

 

 

The boy has stopped again. He waits for me. When I reach him he claps a hand on my shoulder. He smiles: I love you Saba. A moment of realisation: I have reached an extremity; this path has bested me. I’ll need to take lots of breaks. A further realisation: in the passing of time since first we two walked this track, I’m five years weaker, and grandson is five years stronger.

 

 

This aging is sweet. Who cares that we are not now that strength which in old days

Moved earth and heaven?

Here is my grandson, flesh born of flesh born of me, gazing towards me tenderly, and I am sufficient to him.

 

 

We struggle on and soon we break for a drink. Another, shorter struggle and a break for an energy bar. A briefer effort still, a couple of candies. A final assault and we crest the ridge and there lies the sea. Four undulating kilometers down hills, between ferns at shoulder height, and at every turn the sea smiles in the sunshine, winking at us.  And there, between trees and boulders, the white stone lighthouse stands proudly priapic and calls to us. 

 

 

We’re trotting now, our feet joyful. It’s hard to convey our jubilation. Emily Dickenson wrote: 

 

Exhiliration is 

The going out

Of an inland soul

To Sea 

 

 

Emily’s right.

 

 

A right-hand turn and Mr Wilson adds a massive final insult to four hours of injury: this is the last half killermeter of near-vertical climb. The boy looks at the slopes and he looks at me. He smiles, I smile back, and we both draw breath. We redouble our pace, we swing our arms, we mount our counterattack on Mr Wilson. Quickly, though,  our lungs are amazed; we pause and look at each other in wonder.

 

 

We overtake a teenage girl with fair braids. I notice the grandson noticing the girl. We hail her and pass. Grandfather slows and presses on dourly. Grandson breaks into a run and completes the trek with me far in his wake and the girl watching in a wild surmise.

 

 

No sooner in our lodging than I shower in cool cleansing water. Grandson pursues the acquaintance of the fair maiden. I have an early night, the young ones make an evening of it. When at a late hour grandson retires for the night, he asks, Saba, do we really have to get up at six?

We do, darling. Remember you told me before we left home you need to be back early. And so do I.

 

 

Early mornings don’t suit the young. But for the second morning in succession my grandson is up, ungrumpy and full of energy. Rain fell overnight. When we step out from our lodge we shiver at first. Soon into an easy loping stride, we find the morning chill delicious. Grandson looks around, takes in giant sculpted rocks, furtive little wallabies, enfolding hills, the sand underfoot, the singing breezes, the cockatoos at their screeching; his bony face fills with joy: I love you Saba. 

 

 

The six-hour walk that took us five laborious hours outwards takes us less than four hours on the return. Nothing Mr Wilson throws at us today dismays.

 

 

The final upslope. In wordless agreement we break into a jog. Running alongside the grandson I feel heroic. With a hundred metres to go, Grandson starts to sprint. He races away from me and it feels like a consummation.  

 

 Read about our previous hike here:

 https://howardgoldenberg.com/2015/07/10/and-the-two-walked-together/

 

 

Dead Girl Comes Home


The Director of Nursing smiles and shakes my hand in welcome. She’s younger than I, taller and wider. I’m drawn to her bucktoothed grin and her informal look. ‘You’ve arrived at a sensitive time’, she says. ‘The body of a young woman who died a few months ago returned on the same plane as yours. She was very young, eighteen years, and she died here, suddenly, of unsuspected heart disease. It was a coroner’s case of course. Now she’s back, the community will all view the body this afternoon. Some here – only a few – blame the hospital. Best keep well clear of the mortuary today.’ The boss sweeps her hand, indicating the morgue. It stands directly on the path between my quarters and the hospital. On arrival I noted with distaste the sturdy steel mesh that encloses the doctors’ house. Protection of that order speaks of past violence.

 

 

 

***

 

 

I start work in Emergency. ‘Hello, my name’s Howard. What’s yours?’

The woman looks up from her phone. She gives me that information without warmth.

‘How can I help you?’

‘He’s sick.’ The woman indicates the chubby baby stretched out on her shoulder, asleep.

I ask for details.

‘He’s been sick for a week, coughing.’

I touch the child. His face burns.

I lift the shirt: the round tummy rises and falls fast, with rib muscles sucked in with every inbreath.

 

 

Nurses attach a metallic clasp to a little finger. Numbers appear on a screen: his oxygen saturation is normal at 98 percent, but he’s working hard to maintain it.

‘Has he been drinking normally today?’

‘What?’ – head bent over the phone.

‘Has he taken fluids normally?’

‘Not much.’

‘Can you give me an idea how much?’

‘He doesn’t want to drink.’ – defiantly.

‘Has he had any medicine for the fever?’

A shrug: ‘We ran out.’

‘Has he wet nappies normally today?

I suppose so – somewhat grumpily, as if questions were accusations.

I ask a nurse to give the baby some Panadol.

I pull out my stethoscope and retreat to the baby’s chest. I can’t hear much, none of the squeaking or rattling that might give answers.

 

 

I draw a breath.

More figures appear on the screen.  The baby – I learn from his chart his name’s Oscar and he’s fifteen months old – breathes too fast and his heart is beating too fast. I don’t know how long he’s battled like this or how long he can keep it up. And I don’t know what’s wrong. I don’t have enough information. Oscar and I have been together for fifteen minutes and I’ve haven’t heard a cough. A cough itself would be information. Mother is a woman in her thirties. Her manner is combative, she doesn’t waste her smiles, she’s thrifty with eye contact.

 

 

‘Has Oscar ever had breathing problems before?’

‘What?’

‘Has he ever been treated for bronchiolitis? Or croup?’

‘He always gets bronchiolitis. He was flown out just a month ago. Still not better.’

‘Flown out’ would have been to the regional hospital, six hours drive and eight thousand dollars’ flight away. If this is bronchiolitis again, why can’t I hear the fine rustling crepitations in his chest? I decide to treat Oscar with a steroid, which can be helpful in his age group. But the steroid won’t work quickly and Oscar needs help now. We set up an asthma pump to deliver a mist of molecules that might open up narrowed breathing tubes.

 

 

We apply a mask to Oscar’s face.

‘No!’ – says Mum, pulling it away – ‘He doesn’t like it.’

Instead Oscar’s mother holds the mask at a close remove. The mist drifts to his face and he breathes surrounded by a white cloud of medicated mist that drifts uselessly away.

 

 

 

At this distance any benefit he’ll receive will vary inversely as the square of the distance between mask and face. In other words, the treatment is sabotaged and I’m worried. I know this, but to share this knowledge will require a collision of wills, a struggle for authority. Wondering what experience with doctors or hospitals has created Oscar’s mother’s mistrust, I apply the stethoscope again. This time I’m able to hear sounds, moist sounds at the base of Oscar’s left lung. We have an answer: Oscar has pneumonia, dangerous enough in any person, especially so in an Aboriginal child. I order a powerful antibiotic.

 

 

An hour passes, two, and Oscar’s breathing remains fast. But his temperature has fallen and his racing heart has slowed. We give him some formula and he drinks it greedily.

I ask Mum would she like a cup of tea.

‘What?’ She looks up from the phone. She’s been playing Patience.

She takes the drink from my hand without words. Oscar remains in his perch, sitting up now and looking around. His hair is dark and wavy, quite beautiful. He has the face of a cherub. But still his chest heaves as he breathes.

 

 

The hour is late in the Emergency Department. Baby Oscar sleeps on his mother.

‘I think we should keep you both in hospital until Oscar’s better.’

‘You said he was better an hour ago.’

‘Yes, he is better than he was, but he’s still not breathing easily.’

‘Why didn’t you say so an hour ago?’

A sigh escapes my pursed lips.

Mother accepts our hospitality.

 

 

Next morning I’m in the ward checking on Oscar at 6.00. He sleeps and he breathes, lying in the arc of his mother who enfolds him in her sleep. It’s a comforting sight.

 

 

I return at 10.00. Both mother and infant sleep on.

 

 

At noon mother is up and restless: ‘We’re going home now.’

Oscar sits astride their bed, his face buried in a Vegemite sandwich, an upturned bottle, drained of formula, rests on the bed beside him. Before him on a dish lie the remains of mince and mashed potato. I gather from the cutlery these were his mother’s lunch.

 

Eating well and drinking well are unspoken testimony. You can’t suck and swallow, chew and swallow, if you’re a baby and you’re too short of breath. Oscar’s temperature and oxygen levels and heart rate have remained normal and stable. But he still breathes fast and still I hear the rustling sound of air moving through infected mucus.

 

 

‘We need to wait for an x-ray’, I say.

‘When will that be?’

‘At 3.00’.

‘Why not now?’ – belligerently.

‘The x-ray person won’t be here until then’ – placatingly.

 

 

 

At 3.00 the chest x-ray shows opacity where mucus is filling a corner of the lungfield. I show the film to Oscar’s mother: ‘Germs have got into Oscar’s chest there. We’re giving him antibiotics by mouth to kill those germs. He’ll need that medicine twice a day for five days, maybe longer. His next dose is due at 7.00 this evening’.

‘We’re going home.’

‘We can’t make you stay here, but if you go, please be sure to give Oscar his medicine at seven tonight and seven in the morning. It’s very important.’

 

 

It occurs to me I haven’t seen Oscar’s mother give him Panadol or his antibiotic. She hasn’t given him bottles or changed a nappy. She stands back and nurses act. This is a mother who has waged war on the nurses who care for Oscar, and against the doctor. Clearly militant towards us, she keeps herself distant from him. Do we make her feel self-conscious? Does she lack confidence? A clever nurse asks, ‘Would you like us to give the medicine this evening?’

Mother nods. She’ll leave the medicine with us for safekeeping.

 

 

 

Seven o’clock comes, but no mother, no Oscar.

At 7.00 next morning, no show. We don’t know Oscar’s whereabouts. His medicine remains uselessly here with us.
We phone mother’s mobile, but there’s no answer.

No answer that evening, none the next morning.

 

 

A nurse asks me, ‘Do you think Oscar is at risk?’

‘I do.’

As I speak these words I know what they mean. From the time of Oscar’s first, belated arrival three evenings ago I’ve felt a heaviness, a sinking. In advance of any decision I might make, I’ve felt a self-accusation. It falls to me to make Oscar safe, and the legal means is to refer the family to Child Protection. Child Protection is, of course, a heavy instrument and a blunt one. Child protection is the present incarnation of State, the lineal descendant of governments that stole children ‘for their own good.’ That same state massacred people in this district during the 19th and 20th centuries. There’s a weight of history here. Additionally, I realise I don’t like Oscar’s mother. I know those are the reasons I’ve delayed taking action.

 

 

I tuck a note beneath the door of my bucktoothed boss: I’m worried about Oscar. I don’t think he’s safe. Can we talk about local resources to help his family? Some informal arrangement?

 

 

I return home and prepare for the day, the second-last of this week-long locum placement. Around mid-morning I come across Oscar and his mother in the waiting area. The Police have located her and asked her to come in. I see Mother before she sees me. She’s talking on her phone, while Oscar toddles at free range. I note he’s managing to walk without gasping.

 

 

 

I stand before Oscar’s mother, waiting for her conversation to finish. She looks up and continues talking. I stand quietly for some minutes while the conversation continues. From time to time Mother’s eyes registers me in her face. She speaks to her interlocutor: ‘OK, see you later.’

My turn to speak: ‘Hello, it’s good to see you both.’

A stare, no response.

‘How’s Oscar today?’

‘Alright. He’s still coughing.’

I examine Oscar. He is indeed alright. He’s not hot, his breathing is comfortable and the moist sounds of his pneumonia are quieter.

‘Oscar’s much better, isn’t he?’

‘That’s what I said.’

‘Have you given him his antibiotic medicine this morning?’

‘No. How could I? You had it here.’

‘That’s a worry. We’ve been worried about Oscar. He’s missed all his treatments. That’s not safe.’

‘He’s better. You said so yourself.’

‘Yes, he is better. That’s good… You know we couldn’t find you. We had to send the Police.’

‘No you never. He’s been safe with me.’

‘I’m really happy to see how much better he is. But you promised to bring him back two nights ago and you didn’t.’

‘Not my fault… Family things.’

While a nurse gives Oscar his antibiotic, mother returns to her phone.

 

 

 

The Director of Nursing describes an informal service in the community which provides support to families. A nurse shows parents how to give medicines and how to use a thermometer. The nurse visits in the days after discharge from hospital, and contacts the family every week to chat and quietly keep an eye on a child’s wellbeing.

 

 

 

I like the sound of support and tactful surveillance. I look past the Boss and out her window, out towards the mortuary. The girl who arrived back here when I did, one week ago, died of unsuspected heart disease. Her sorry business continues. The hospital didn’t know how ill she was, the community nurse didn’t know, social supports never knew. My mind comes back to Oscar. He’s making a remarkable recovery on the strength of a single dose of antibiotic, but he’s not yet cured. He’ll need a further X-ray, he’ll need to see specialists at the regional hospital, he’ll need lung scans and breathing tests. He’s likely to need close medical surveillance through his childhood, possibly life-long.

 

 

I make my decision. I return to my office and call Child Protection. We speak for a long time. I complete the forms and return to Oscar and his mother.  She’s engaged with the phone. I reckon she’s spent most of our numerous hours together face-down and screen-bent. The face rises to me, tightly closed. I speak: ‘I’ve been thinking about Oscar and how to make sure he gets better and he stays better. I think it’s too hard for you and us together to keep him safe. We need help so I’ve notified Child Protection.’

Mother sits up straight: ‘What?’

‘I told them he has breathing problems and it’s too hard for his family to keep him safe without help.’

Mother looks shocked. She summons strength, looks defiant: I’ll talk to Child protection. Don’t you worry. I’ll tell them.’

Her long hard stare seems intended to threaten.



It’s time for me to leave the hospital. I’ll only just manage to catch the plane out. Before we part, I need to join with Oscar’s mother. I tell her my simple truth: ‘You and I want the same thing for Oscar: we both want him to be healthy.’ My simple truth leaves no impression on the wrathful mother. I leave and I fly away, and I cannot know whether I have done Oscar good or ill.