Character


 

I heard Michael was a goatherd. I heard he was an ostrich farmer before that. Ostriches are tough, durable creatures, goats are the same. Michael’s country on the border between New South Wales and Queensland is hard and dry. Michael was tough and leathery and just as stubborn as his animals. I heard he’d visit a city with reluctance. Quickly restless in urban places, he’d be quick to flee. He spent half a day in Melbourne then bolted. Michael, I understood, was a character.

 

 

I learned the goat business wasn’t complicated: you’d drive a few hundred kilometres to relieve someone of their feral flock; you’d drive a good distance in another direction to buy another herd and you’d bring all the creatures back to his farm near the small town of Texas. Later you’d drive many more kilometres and sell the consolidated mob to someone who wanted to export them to Muslim countries to the north. So long as the selling price sufficiently exceeded the price of purchase that was a sound business. And, goats being droughtproof, Michael would survive through the long dry.

 

 

Doubtless there were goat traders somewhere in the city who used computers and create spreadsheets. Michael would scribble figures onto the back of an envelope; the back pocket of his work pants served as his filing system. It worked.

 

 

When I met Michael it was at his house in Texas, on a grassless property at the end of a dirt track that led from a narrow road that twisted and turned just inside New South Wales. He was a large man, older than I. When we first met, a smile as large as Texas wrapped itself around his face as his large hand wrapped itself around mine. He shook my hand gently as he looked down from his long and rangy frame. I don’t know what Michael saw but I suspect he’d made up his mind already: he was going to like me on account of my being a friend of his daughter. Twice  a week that daughter’s landline would ring. One person only called on the landline, and that was her father. The voice would speak, always somehow astonished, always  joyful; Hello beautiful! How are you going? It wasn’t hard to like Michael; everybody liked him. Or just about everybody. He carried himself with utter authenticity. He had no time for formality, no time for insect authority in the noisy flapping of its wings.

 

 

After a long epoch of rooflessness, Michael’s high house had only recently been reroofed. After the storm that tore off roof, the insurer was in no hurry. So Michael and his wife Lisa lived there for a year without a roof, waiting for the insurer to come good on the policy. I looked at the high house; you entered it at the top of a high staircase. I took a breath and climbed the stairs. Afterwards I reflected that climb demanded fluid joints and I misgave for Michael. I reckoned Michael’s old skeleton couldn’t possibly last in that house much longer. Likewise driving truck across the breadth of Queensland and New South Wales was surely beyond him. Better and safer to accept reality and stop driving altogether. But that would be the thinking of retirement inside the township, the thinking of a life spent indoors, life in a nice unit somewhere on a nice street that was paved, with new neighbours close. That was the thinking of a life that would be death, and Michael turned his back on it and kept on driving and buying and selling and climbing those stairs.

 

 

Years later I visited again. The stairs were just as high but Michael was not defeated. I met Elisa, a small woman from the Philippines whose will and durability were a match for Michael’s. Elisa and Michael managed to cater kosher for their new Jewish friend and Halal for the local doctor, a Muslim. I met their sons, a pair of pocket Hercules. The young men are body builders. Powerful bodies are all the go in Michael’s tribe.

 

 

Michael came down to Melbourne to watch his sons compete in a bodybuilding championship. I saw Michael breakfast at an outdoor table with his family around him and an old mate at his side. The mate was a rough scrubber, jovial withal. The men shared an enduring love for the bushman each saw in the other. They laughed over wild old times, wild days, wild nights. I looked at Michael and I saw Falstaff:

We have heard the chimes at midnight, master Shallow.

That we have, that we have, in faith John, we have… the days we have seen.

 

 

Bits of Michael’s body stopped working, important bits like his heart and his lungs and his kidneys. The local doctor, himself an individual tenacious in his faith, could recognise and respect another tenacious believer. He must have misgiven mightily as the goatherd kept on, regarding his body as he might regard his old truck: roadworthy or not, Michael would keep it on the road and keep on driving it. Late last year Michael bent to hitch a heavy steel trailer to his vehicle and something snapped in his spine. Unable to move, in agony, he took to his bed and endured. No, he would not go to hospital, certainly not in the capital, hundreds of kilometres distant. Bloody Brisbane? Be buggered!

 

 

Soon Michael was delirious with pain. In and out of consciousness he came to in a modern city hospital where every mode of doctor and specialist and every modality of imaging and investigation was brought to bear. All the king’s horses and all the king’s men… His descendants descended upon his sickbed from all parts and wept and prayed and wept, and looked to ever more doctors and ever-clever technology to – to do what? – to keep Michael alive? Amongst those closest to Michael the wiser ones saw what he would see. Love torments the lover; the lover must long for a recovery that she knows to fear.

 

 

Michael’s mind hovered, wavering between calm lucid periods and the opposite. In clear moments he’d hear a loved one reminisce upon a life lived on its own terms, a life hard and long. These were precious moments of calm understanding. After a time his mind stopped rebelling against his body and he inhabited a limbo, while all the time his family kept vigil. Days and nights, nights and days passed. All held their breath. At last Michael stopped breathing.

 

 

Almost a year has passed. A year in which my friend’s landline has not rung. In Texas – desolation; in all the places of their dispersion, among his loved ones, the silence weighs upon an emptiness. Michael was a big man.

 

 

I met Michael but a handful of times. I’d draw up and he’d smile hugely. Knowing him fleetingly, I experienced how deeply his character left its mark upon another. I saw his son-in-law, his grandsons, I saw how Michael’s being seized them, how they loved him, how character tells. How deeply they respect him still.

 

 

From the Heart 3

 
0600. The rock squats, silent, a massive cupcake among the grasses. Moment by moment the light changes: dark gives way to deep blues, to a steel blue, now to a primrose glimmering. All is quiet, still. Life suspended, the plain broods, foreknowing sunrise.
 
0621.The rock as image is too familiar. The rock as concrete reality forbids familiarity. I emerge from my small car, and regard the great terracotta thing before me: after all these years its immensity, everfresh, astonishes me. My car winds its way to the carpark. At every bend the rock changes; every aspect surprises and evokes the overpowering question: what immortal hand or eye? My question and the custodians’ questions are the same as Blake’s. The very greatness demands a myth.
I glance at the steep wall at my side and the slope flings my gaze up, up, upward beyond my range of cervical extension. The human neck cannot accommodate the reality; only if I lie on my back can I take it in. The human ant needs a postcard.
 
0623. Time to start: I am alone, the sole ant. The base walk used to be nine kilometres in length. Now it’s 10.6 kilometres. The rock hasn’t grown but the people who manage the Park have decided to keep us at a distance. And I need to finish my circuit by 0730: time to start.
 
Every one of my years finds voice and protests in my lower back as I shamble into movement. I intended to run but for now this hobbling is the best I can do. The gravel path underfoot is soft and red. It cushions and retards. Slower going and harder. But with only a hundred metres behind me slow going and aching back are forgotten. The rock compels, demands all attention, with its folds and bends, its clefts and pits, its elegant curves, its sweep and breach, its sudden secret shades and sulci.
That face – those many faces – prefigure every expression of humanity. The rock gazes down with idle incuriosity, here it is a pockmarked teenager, here a gaunt pensioner, now a lady, elegant in her long dress that falls and sweeps and moves gracefully in concert with my passing. The rock shows the many faces that are human faces: here is calm, here inscrutability, here obduracy.
Three great gouges side by side at great height, these are eye sockets, empty: what is this sight that sears her eyeballs?  The rock gazes out at our killing fields, at Crusades and Inquisition, at Babi Yar, Rwanda, Cambodia, at Holocaust, at the Armenian Genocide. The rock’s eyeless sockets see all. She has no tears. No mouth here, no words.
 
0630. Right on time the sun comes up, shining, burning directly in my eyes as the rockface heads me due east. The wind comes up too, blowing hot hard warnings of today’s forty degrees: you step outside from your cooled habitat, you breathe, your palate dries and you gasp. The second breath confirms the first impression.
For now the hot headwind is welcome: an early headwind promises a following wind in the later stages when I’ll head west and home.
But the sun, this sun, this blaze, this interrogator’s light right in my eyes: son of man, why have you come?
My innocent run is no longer blameless.
Son of man, what business have you here?
What? Why? What do I seek – peace? Innocence?
The light glares: What gift do you bring?
Consciousness. It is all I have.
The bright light relents, winking now, filtered by thin foliage, broken by gentle rises and bends. 
At this point the run might become a chore; the vista is relatively unremarkable, the rock radiating yesterday’s stored heat, the glare, the difficult going underfoot, the headwind – all might sap a runner. Instead the mechanical affair of placing one foot before another feels charged, significant. Plod, plod, breathe, breathe, the ordinary is transmuted. It is said of William Blake that he took a visitor outside, directed him to look at the midsummer sun and report what he saw. “Bright sunshine”, said the visitor. Said Blake, “I see hosts of fiery angels surrounding the Throne, singing Holy, Holy, Holy.”
 
Fires in my throat. I sip my iced water. But first I recite the customary blessing over the water, an act in which this mortal congratulates his Maker on His good idea in creating and providing the mortal with water. Water never tasted better. Like everything here it is charged, touched with the sublime.
 
I have passed twenty minutes alone in the company of Uluru, an uncommon privilege. At my left, hidden in the scrub, is the village of Mutitjulu. Its people live in the lee of immensity. Daily they awaken to the view of deep terracotta that earlier was mine. At sunset, fire flames from the rock’s margins, the rock purples. Echoes follow me – another place, another colour scheme:
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
 
 
Around the bend now, heading south, the greens and greys relieve the eye. I can’t complain of sameness. More faces in the rock, caves that grimace, bluffs that lower, red rock that slopes down towards my feet, down, down, a slow, shy approach. The rock is within a metre of my shod foot. To step on it a profanation. I do not walk this rock. Not now.
 
Around another bend and another, tracing waving folds, the rock shapes here are emphatically, anatomically feminine. Inescapably feminine. Curves that flow, flow, ineffably graceful, to deepening clefts, soft in the gentling light. These mother forms beckon, embrace, call me home.
 
My old legs move fluently, easily. They swallow the miles. My mouth burns, it sends messages – drink, drink – messages you receive only when it’s too late. Above me rockmouths gape toothlessly, vast, cavernous, inaccessible. My eye searches the sheer face; only a mountaineer equipped with hammer, piton and ropes could reach those high hollows. But in their depths ochreous markings, patterns, declare themselves; these impossible deeps are painting sites.  No white foot might imaginably intrude. Good!
 
Nearing the beginning of the end, here is the Mutijulu pool, a cool, shaded dell between three high surrounding walls. Its waters are permanent. But no, not so today, not in this heat. I gaze amazed at naked sands. Even dry they keep their cool, concealing water close to the surface. This dryness is a mirage; at all hands the growth is green, tender, silvan.
 
0715. Nearer the end and I am not alone. Cars pass on the bitumen that runs unseen, parallel to my path. Above me the rock has mouths with calcific projections, teeth that do not smile at what passes below. I look ahead: there, formicating on the slope, scores, hundreds of whitefellas climb hand over hand along a chain that will take them to the top. They will climb Uluru, they will conquer, they’ll be able to tell everyone.
At the top they’ll see the pits and gullies, the moonscape no-one below imagines, the scales and plaques of red; and the smallness of humans below.
I know what they see. I know the climbers haven’t seen or haven’t understood or haven’t cared what the owners write on the notice: Anangu do not want you to climb the rock.
I am not happy to see them climbing. It seems disrespectful. I feel it as if it were a personal sIight. I know and I care about it because I too have climbed the rock. A quarter of a century ago, I drove up, leaped from my car and ran up the slope. I did not see the notice. Hubris sped my feet: I would conquer Uluru; I would do it at the run, I would not stop.
Of course I did stop – after only fifteen metres – stopped and gasped, ran again, stopped, fought a breathlessness I had not known before. I made it to the top, saw how small we are and descended. I do not climb now.
 
 
 

New to the Country

A thin teenage boy limps into my consulting room. His file gives his age as fourteen. He accepts my offered hand and shakes, his narrow face opening into a shy smile. His English is slow, studied, like his gait. Mum, accompanied by a three-year old son, enters with the bigger boy. She is trim, confident in English, smiles readily. This reversal in facility with English is curious: more commonly the parent’s tongue limps in the new language while the child’s races ahead and translates for the parent.

I examine the painful foot which is swollen and tender at the top of the instep. The diagnosis eludes me. “I don’t really know what has made this foot sore. But I can try some treatment which I think will help.”
Fourteen-year old appears happy with this. Mum says, “Thank you.”
The three year-old wanders quietly around my consulting room, locates all its fittings and gadgets, investigates their workings and adjusts all to his satisfaction.

I guess from the family’s surname they come from Vietnam. The older boy confirms this.
I hand the boy a prescription and prepare to write a letter for him to take to his own doctor.
Mother, smiling, shakes her head: “He doesn’t have a doctor.”
“I can write a letter for your clinic and you can take your son there. Will that be OK ?”
“Yes”. Another smile.
The letter written, the family rises to leave.
Mother turns to me. “He has been here in Australia two weeks only. Until now he was in Vietnam. And we have been without him.”
“How long have you been apart?”

“One year and a half a year.”
“Did you miss each other?”
The boy nods. Mother says, “We miss very much. Now happy. Now family all together.”

She thanks me and heads for the door, then adds:”You are the first doctor he sees. Thank you for being so kind.”
At the door, the three-year old folds his arms across his upper trunk and bows.
Mother says: “In our culture that means he show you respect.”

****

Another consultation, this one in 1971. I take a phone request to visit a patient in Altona who has a fever and is unwell. I make my way to the address, which turns out to be the migrant hostel. The sun is setting as I park my car in the enormous parking area. Ahead of me in the gloom I sight squat oblong buildings that proliferate wherever I rest my gaze. All have the same design. My instructions are to proceed to “Room Number Seven”.
But number seven in which building of these many? I cannot know. (Mobile phones have not yet been invented.)
Dismayed, I look around. I see buildings that are anonymous and many. Of residents I see none. Continue reading

A Message from the Moderator on Blog Policy

This is a belated message from the moderator of Howard Goldenberg’s blog.

 

As this is the first time that the moderator (not Howard) has posted on Howard’s blog, I’d like to take this opportunity to welcome you and thank you for your interest and comments.

 

Unfortunately the need has arisen for creation of a set of blog guidelines that perhaps should have been anticipated earlier.

 

Howard spends a significant amount of time and effort preparing content for his audience. He doesn’t get paid for this. He blogs because he likes writing and gets great enjoyment from receiving feedback as well as hearing differing views from his own.

 

Comments from followers with views that are differ from Howard’s or are critical of his opinions are both accepted and encouraged.

 

We support positive and productive discussions and we request that the tone and focus of comments are respectful.

 

Comments that are personally offensive, defamatory or may publicly humiliate the writer or others are unacceptable. Gratuitous personal attacks made under the guise of literary criticism will not be tolerated.

 

Future posts that are offensive, ad hominem or disrespectful will be removed. Repeat offenders will be denied access from posting future comments.

 

In the event that an objection arises to the moderator’s decision, the objection will be considered but ultimately the moderator’s decision is final.

 

I sincerely hope open discussion will continue for all followers of Howard’s writing and that free discourse is not impeded by negativity.

Thank you.