Alone and Palely Loitering

You walk past them at lunchtimes and at smoko, you see them sheltering under eaves in foul weather, you see them in their outcast clusters, you see them and you avert your gaze for fear your concern will offend.

They are many, these persons of all ages, members of an underclass. If they were to unite as voters they’d overthrow governments. If they were to become radicalised we’d tremble in our beds. But no, they do nought to us and all to themselves. These human persons harvest leaves and dry them and chop the dried leaves finely then wrap the product in a cylinder of paper. Carefully, accurately, with practised fingers, they burn the leaves, then hungrily, deeply inhale.

Alone in the animal kingdom these sentient creatures do not flee from smoke.

I see them, I see my friends, who meet my gaze and smile in confession – and I am sorry to see – in embarrassment.

A long time ago my father in law was dismayed when advised by his tobacconist (yes, he saw a specialist, no mere candy vendor) that Chesterfields would no longer be imported to Australia. The tobacconist asked: ‘How many do you smoke a day?’

My father in law told him.

The tobacconist responded: ‘You are a very special customer; we’ll make sure you stay supplied.’

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The very special customer became too breathless to read a bedtime story to his grandchildren. Soon he developed a cough. Suspecting cancer he stopped smoking.

Not long after, the very special customer died of his disease and my children lost their very special grandfather.

Manufacturer Phillip Morris continues to accommodate its special customers. My friends huddle and shelter while I shudder. And I direct my superannuation to alternative investments.

Road to Recovery – (my piece published in Australian Financial Review)

Road to Recovery Financial Review article

This article appeared in the Australian Financial Review 3 January 2014. It first appeared in the Griffith Review 10th anniversary edition in 2013.This story is an edited version of a piece that will be published in 2015, in an upcoming book entitled ‘Burned Man’.

The Harmonica Man of Elizabeth Street

It is lunchtime in Elizabeth Street and the foot traffic is in a
hurry. I am in a hurry, hurrying to my coffee, weaving in and out of
traffic before hurrying back to work. One  pair of legs is stationary
in all this traffic and fret. The legs stand against a shop window,
long legs in shabby grey trousers. My head swivels and my gaze works
upwards past a jacket of crumpled grey to a stubble of stippled beard
on a thin and craggy face.
A hand is raised to the face. It holds a harmonica which is applied to
a toothless mouth. Flabby cheeks inflate and empty, bellows for
music’s fire.
On the footpath at the musician’s feet is an upturned grey flannel
cap. He is a street performer, and as an habitual supporter of the
arts, I reach for a coin, but the tides and eddies of Elizabeth Street
carry me well past the busker before I can contribute.
Next time, I promise myself.
Next time I am in Elizabeth Street, I sight the man in plenty of time
to steer over towards him.  Up close now, I see the same harmonica,
the same hat, the same performance. The hat is empty. So, it seems, is
the harmonica, which is mute despite the musician’s respirations
through it. It appears that his lungs are so wasted away by time and
tobacco that the tides of air pass silently across his instrument. The
man is breathing: that is the totality of his act.
Upon him now, I reach into my pocket for coin, but the fob is empty,
and I have passed.
Next time, I promise myself.
But the next time I am in Elizabeth Street at the busking hour, the
harmonica man is not there. Is he breathing his art elsewhere? Is he
breathing at all?
Weeks pass. The chill of early winter gives way to the deep cold of
the solstice. A wind blows from the Antarctic, driving the coffee
crowd before it in its overcoats and its scarves, into safe cubbies of
caffeine and warmth.
And there, there in the thin grey pants and coat is the mouth
organist, breathing still, breathing inaudibly into his organ of mime.
The winds of winter and the moving feet make the only music in
Elizabeth Street.
On what does he subsist, this insubstantial being? Aged, alone in the
multitude, unfed, barely clad, unheard – where does he go at fall of
night?