Small Town

Wide streets, slow talk, visible horizons, unhaste, drinkable coffee, air you can’t see, first prize in the Trap Shoot a ham (second prize two chooks), courteous people, a main street monument to Glenn McGrath, traffic slowing to circle the cenotaph that recalls the one-hundred-year dead, terrain so flat a granite mound (250 metres) is a mountain)*, forty eight social, sporting and cultural clubs (including Writers’ Inc – contact Mrs Shirley Todhunter**), a nursing home full of smiling nonagenarians, churches of wood, the CWA***, a beauty queen crowned Miss Beef…

I like the town.

Walking down the sunblazing main street on a Friday afternoon I pass by three girls slim enough to sit side by side on a single doorstep. All three meet my curious gaze, two smile, one speaks: ‘Good afternoon.’

‘Good afternoon girls.’

Three smiles. These girls, just at the threshold of puberty, haven’t been taught to fear. They smile like their great-grannies who greet me at the nursing home.

I like the town.

In the hospital I treat too many for alcoholism. Ice floods the town, destroying minds, ravaging families. I feel a pang for the three small smilers who did not fear to smile at a stranger.

I come as a gap filler for the doctor who left last week after twenty years of service. The town is in mourning. ‘Will you be staying, doctor?’, the townsfolk ask me.

I don’t like to say no: I like the town.

* Mount Foster.

** I did contact her.

*** If you don’t know the CWA (Country Women’s Association) you have probably never eaten a cream-filled passionfruit sponge cake. If you haven’t eaten a passionfruit sponge, move to a small town and do so.

nevertire of eenaweena

never beenta eenaweena

you’ll never tire of nevertire

when I’ve beenta

eenaweena and nevertire

i’ll have beenta elong elong –

grong grong and matong

were nearer my home town:

I’ve eaten meringue

in wulgulmerang –

in betweena hell,

booligal as well

a long time ago,

in eulomogo;

been alone in quambone

felt at home in gulargambone

done algebra in egelabra

and once in gilgandra

reclined on veranda

and free from hungery

in eumungerie

with grub o from dubbo

found peace, release, ease

at least in burrumbuttock

never felt foreign

in a small town like warren

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What Can We Do Once We Lose Our Freedom?

We started gmail and we surrendered the final shred of privacy. We used the net and opened ourselves to every hacker, most of them those we elected. We read of the twin towers and were alarmed; we saw the beheadings and were rattled. Those we elected rattle us often and hard and by reflex and in all sincerity and – as in the case of asylum seekers – in the sincere anxiety that we might unelect them. Once thoroughly rattled we allowed our governments to suspend habeas corpus. We are each of us now, all citizens, all merely Mohammad Hanifs, awaiting the knock on the door of our terror police.

Terror has triumphed. As it usually does. Terror wins when we pay heed – as we need to; it wins when we panic – as we need not.

So what can we do once we lose our freedoms?

I saw an odd movie a score or more years ago in which an Orwellian change had occurred and citizens were forbidden to own books. Books were collected and burned. Publishers were taken away for re-education. The Good Book says: ‘Of making books there is no end.’ But this was an end.

A few resisted, silently abandoning the cities, coming together to meet in the forest. Here each escapee became a talking book. One became ‘War and Peace’, another recited ‘Animal Farm’. Those whose mental muscles were less hypertrophied recited ‘Ozymandias’, or ‘Waiting for the Barbarians’, or the Twenty-third Psalm. All these texts threatened the regime that murdered thought. All reciters risked death but inherited life.

Back here in my real life. I resolve to read poetry every day. I’ll rescue myself and succour others.

Dalia Died

A friend wrote the other day to tell me Dalia died.

I met Dalia in 1972 at the nursing home she ran in Wattle Glen. You descended from the bitumen into a silvan retreat, the buildings concealed behind flowering native shrubs. A quiet path led to a doorway. Through the door you entered a different world: smells assailled you, disinfectant, cooking smells and behind them, always, the smell of urine, the smell of the elderly and incontinent.

Dalia greeted you, her voice musical, her fetching smile stretched over an uneven lower lip, the more fetching for assymetry, her accent French and very pleasing. The bushland at the entry and the greeting upon entering, these redeemed you amid the oppressive smells.

Dalia moved with you from patient to patient. Almost all of them were women, aged, their men long dead, their families generally distant through geography or choice. This young doctor, oppressed by bodies that did not work, by diseases medicine would not cure, by alienating disfigurement and by disfiguring debility, by drooling helplessness, dementia, strange behaviours, this doctor nearing quiet moral panic, redeemed, redeemed always by Dalia. Dalia would proceed to the bedhead, cradle the neck of her charge, sing to the patient the glad news of the coming of the doctor: Here is Doctor to see you, darling. You remember, this is Doctor Howard. He comes to you every week.

Dalia was not alienated, never distanced. Dalia embraced her guests, kissed their foreheads, fixed their pillows, fussed over painless areas of red skin that she would not allow to break down. Dalia spoke to her speechless, apparently demented patient, as if she were wholebrained, fully alert, fully human. Only after taking doctor aside, out of hearing, away from the presence of the stricken, would Dalia allow any concession to incompleteness.
A secular person, she recognised tenderly the spiritual yearnings of her charges, old women born in an earlier age when churchgoing was a norm and a religious outlook sustaining. Poor Thelma, she weeps, she weeps because God has rejected her. She wants to die, she prays for death, and because death does not come, she believes her God will not have her in his heaven.

Now death has come for Dalia. She was ninety two years old.

Dalia left Wattle Glen and our paths did not cross again until a few years ago, when our respective writings brought us together. The accent was still there, the smile, the relentless action of her critical mind, unwilling to yield on any of her concerns. And all her concerns were for humans. I read her memoir, a work of humbling honesty, of emotional privation in Belgium in the middle years of last century, of falling in love, of the ending of love, of emotional collapse, of recovery, of growth, of a thirst for learning. Hers was a life of learning, of ever journeying in her wisdom towards greater wisdom. I thought of Cavafy’s ‘Ithaca”.

As you set out on the way to Ithaca
hope that the road is a long one,
filled with adventures, filled with understanding.
The Laestrygonians and the Cyclopes,
Poseidon in his anger: do not fear them,
you’ll never come across them on your way
as long as your mind stays aloft, and a choice
emotion touches your spirit and your body.
The Laestrygonians and the Cyclopes,
savage Poseidon; you’ll not encounter them
unless you carry them within your soul,
unless your soul sets them up before you.

Hope that the road is a long one.
Many may the summer mornings be
when—with what pleasure, with what joy—
you first put in to harbors new to your eyes;
may you stop at Phoenician trading posts
and there acquire fine goods:
mother-of-pearl and coral, amber and ebony,
and heady perfumes of every kind:
as many heady perfumes as you can.
To many Egyptian cities may you go
so you may learn, and go on learning, from their sages.

Always keep Ithaca in your mind;
to reach her is your destiny.
But do not rush your journey in the least.
Better that it last for many years;
that you drop anchor at the island an old man,
rich with all you’ve gotten on the way,
not expecting Ithaca to make you rich.

Ithaca gave to you the beautiful journey;
without her you’d not have set upon the road.
But she has nothing left to give you any more.

And if you find her poor, Ithaca did not deceive you.
As wise as you’ll have become, with so much experience,
you’ll have understood, by then, what these Ithacas mean.

Ultimately Dalia became a therapist. I thought how fortunate were her patients, what gifts of life she brought them from her lifelong travels to Ithaca.

Dalia became a little unwell a few weeks ago, persisting in her vigorous ways until her last days. When abruptly her blood pressure fell due to a prolapsed heart valve, she asked the doctors to perform the operation they’d ordinarily reserve for one decades younger. When they explained the risk of technical success with accidental brain damage, Dalia elected to die. She accepted a trial of hero molecules for twenty-four hours; when these duly failed, she embraced morphia, chatted with her loved ones and went to sleep, rich with all she’d gotten on the way, and arrived at last in her Ithaca.

Her believer friend, the young doctor of 1972, prays his God will give her rest. At this Dalia would smile her crooked smile and pat me on the head indulgently and forgive my wishful thinking.

So Foul and Fair a Day

Howard at the Boston Marathon 2013

Howard at the Boston Marathon 2013

When I solicited funds as a charity runner in the 2013 Boston Marathon I promised to write a report on the race and my donors’ ‘investment.’ The moment the race started I started to compose my report. The mood was light, the crowd a united force of love, the events and sights all affirming a shared humanity. This would be a report of smiles. The serious counterpoint would be the 26.2 long miles.

At 2.07pm the mood changed. After that the playful response would feel profane. But I did promise a race report.

I slept on the matter. The evil was great and real, certainly. Real too was the goodness. Both demand to be written.

***

Does any runner sleep well the night before a marathon? I don’t. To prevent dehydration on race day I drink plenty through the previous day and every cupful demands its exit through the night. I am excited, nervous, a kid before his birthday party. Boston, after all, is to marathoners as Wimbledon is to tennis players. An enormous privilege, unearned by any effort of my legs, paid for in thousands of donated dollars.

The playful mind must be carried by legs that are 67 years old. Some prudence surfaces. The sixty-seven year old prepares methodically. The experience of forty past marathons insists I vaseline my second toes (which always blister), my armpits (which chafe), my nipples (which bleed) and my private bits (none of your business).
To prevent my shoelaces untying over the distance I double knot them: a trivial detail? No, not in Boston, for it was at the start line of one Boston Marathon back in the seventies that the favourite, noting his arch rival’s single-knotted shoes, bent down and double-tied them.

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Waiting for the Wrong Bus

This bus I await
Is not mine
In the dark
On the 91 Line

I took the 91
Missed my stop;
Now look around
Outside a shop –

In a doorway
Two recline
Homeless among
Homed on the 91 Line

Her eyes closed,
His wide
She reposed
His rest denied

Not hunger,
Not dirt
On her face, her shirt;
His face younger

But pinched,
Eyes narrowed,
Jaws clenched,
Looks harrowed –

Ten feet
Just ten
Separate us
From them

Not an iphone
At his cheek
But a fruit ice –
A second peek

In not yet dawn
She wants warm
While he applies ice!
Wondering in gloom

I check my cash
Two large notes
None small; rash
I approach

“Could you use a quid
Or two?” “Mate,
I could.” (A schooled voice.)
Note unnoted, palmed, hid.

“Toothache?” “Mate, agony,
Three days now…”
Pain cries for relief
Not money…

I’ve three green
Gel tabs, ibuprofen:
These given, palmed,
Expose the fifty. Now

He sees, amazed
“O mate!”
And I, running late
Escape on the 91 –
The wrong bus;
The streets
Of London
Separate us –

Australia Day in Doomadgee

Doomadgee, we write it

In our orthography

When really –

It should be – Dumat’ji

 

No flag raising here

No speech or ceremony

On Australia Day

In Doomadgee

 

The river runs warm

Kiddies swim and swarm

On Australia Day

In Doomadgee

 

Blackfellas bashing

(It’s the national fashion)

On Australia Eve

Here in Doomadgee

 

Broken hand, broken

Jaw, cut faces and more:

That’s Australia Day

In Doomadgee.

 

Adam Goodes

Too far away

This Australia Day

From Doomadgee

 

A busy day this

Australia Day –

Hordes in the wards

In Doomadgee

 

We plaster and we suture

Like there is no future:

Future no feature of Australia Day,

Not here, no way, in Doomadgee

 

The end of Australia Day –

Quietness falls

In hospital halls

Of Doomadgee

 

But short the respite –

Quick! Elder sick!

Dying on Australia night?

Dying here – in Doomadgee?

 

Quiet, quiet, his voice, his breath –

Small his smile at the threshold of death –

Good night Australia:

System failure in Doomadgee

 

Beside him, quiet woman – or girl –

His guard and ward in this world

Trembles, facing an Australian day

Without him in Doomadgee.

 

He slips away from his teeming kin

Who hold their tears and keening in;

A dreadful peace on Australia Day

And quiet, this night in Doomadgee.

Whale Mourning at Wilson’s Prom

My father walked these hills and steeps:

Woke early ever, walked rugged rockstrewn track

To the lookout, and back. Now he sleeps

Forever; and I rise with the sun

 

On this second day of the last new moon,

Of the dying year;

And sound the shofar, the ram’s horn warning*,

Then go for a run on a crystal morning.

 

My Father walked till his dying year; I follow his track

Across the bridge,

Then up the hill and over a ridge –

Then back; pausing to view a sapphire sea.

 

High here, on air, at Wamoom**, this southern

End of a continent,

Comes remembrance, a fifth element:

Midst earth and water I stand, content,

 

Basking in the gentle fire of an early sun

Then turn

To start the slog and gasp and sweat – up hills

And tracks on the ridge of the returning run.

 

Stop! – cries the voice of my companion

And turn!

And look out to sea, and see – there’s a whale!

I stop and turn and look – and sight the sail-

 

Shaped fin, the hump of back, the mammalian

Brown-black, a bruise

On the blue face of the sea. Now it sinks again

And as I smile, give thanks, and muse

 

It surfaces and plays, and sprays its spume

At the end of the dying year.

Another whale was here, beached, dead; while with my father

A decade ago, I saw it. We paid homage at its sandy tomb.

 

* Through the month of Ellul, Jews sound the ram’s horn, as a call to repent before the solemn days of the High Holydays.

**”Wamoom” is the Aboriginal name of Wilson’s Promontory.

Excerpt from My Fathers Compass by Howard Goldenberg. Hybrid 2007, 2008.

This Consciousness that is Aware

A few days ago I wrote and posted a poem. It dealt, narrowly, with a contemplated stroke. More broadly, I suppose more deeply too, it is the certain fact of my one day death that I interrogate.
It is a big question, or set of questions, for me. I am sure it is for others too.
My feelings were pressing, my need to express them was strong. Poetry was the needed medium.
This morning I awoke (still alive), moved limbs (no motor stroke) and opened a volume of poetry. The book fell open at this poem of Emily Dickenson, a poem I had not previously known. I read the work (no central stroke) and understood Emily had addressed similar questions.

“This Consciousness that is aware”

This Consciousness that is aware

Of Neighbors and the Sun

Will be the one aware of Death

And that itself alone

 

Is traversing the interval

Experience between

And most profound experiment

death

Appointed unto Men-

 

How adequate unto itself

Its properties shall be

Itself unto itself and None

Shall make discovery.

 

Adventure most unto itself

The Soul condemned to be-

Attended by a single Hound

Its own identity.

Emily Dickenson

 

After reading and considering, I recalled how Death (Emily always capitalises and personifies her erotic forces) is the subject, her opposite actor, in many, many poems. Many poems, but never too many. Such is the subject and such is the poet.
It was my great friend (and the greatest critic of this blog) who observed of my writing a couple of decades ago: “You realise, don’t you Howard, that everything you write is part of the process of coming to terms with your own death?”

Cerebrovascular Accident

Ten or twelve
Only ten or twelve
Strokes of havoc
Quite unselve…

(from Binsley Poplars, Gerard Manley Hopkins)

Self-pity. It’s Amy Clampitt’s fault:
blame amy.
In her “Beethoven, Opus111” –
A poem, its title promising
Music, but its texture and girth
Thick with root and thorn, and earth,
The toil of her farmer father, the clodded
Soil his foe (and freiheit!) and moil,
She speaks of his dying, his escape
Into air, and I wondered: how will I
Go there?
I smiled to imagine his “last act,
to walk on air.”

But then I remembered: one hundred and seventy
on one hundred and ten, numbers that number my days, Dread then, of a stroke broke my smile:
To sit, endless,
Helpless, in my piss
And my shit? Well
That’s how I started, how my grandruby sits,
The happiest of souls, she laughs in fits –
Why might not I subsist, exist, persist –
Unlearn, and learn and earn to laugh like Ruby?
My Mum had strokes, stroke upon stroke –
The doctors lost count; but she, like Ruby,
Knew only stroke upon stroke
Of joy: I’ve never been happier in my life, Mum
Said. And meant it. And showed it.

Mum followed Beethoven into the quiet
Of the deaf, whither I tiptoe too: there
White noise abates, music awaits,
Remembered. And you hear less bullshite.

But if a vessel, sclerotic, brittle,
But block or blow or burst,
It’ll tear, shear, shatter my brain,
And blind me: in that pain – in that pain
Would I, could I smile again – in that dark?
If I, like eyeless Jacob upon the head of Ephraim
Rest my hand on Ruby: I’d smile again

But come that stroke
That stroke
That takes away words –
My words, coin of my world,
Uncoined then, mute, truly broke,
To speak no more, nor write –
Not to ask, nor thank, nor say: I think…
Nor pray.
Nor ask, scratch that itch;
Never again speak my love? Never indite?
Not utter?
Mouth fail, tongue in jail,
Hand flail, pen fall?
That stroke, that stroke,
What, never crack a joke?
Never?
No, not
Ever.

Self-pity is the sincerest emotion.

Nobody Doesn’t Like a Song

I

Whenever I wanted to read a poem to my father he’d make a face. He claimed he didn’t like poetry. I suspect it was the ambiguity in a poem that frustrated him. In fact Dad loved poems, the poems he committed to memory in his schooldays. He recited some of these often enough for them to take seed and grow inside me.

Now Dad is gone and it is I who recites his lines, learned at school around 1925:

Blow, blow, thou winter wind

Thou art not so unkind

As man’s ingratitude…

Thy tooth is not so keen

Because thou art not seen

Although thy breath be rude

I see Dad’s wry smile as he continued with lines that border on the cynical.

Sing Hey Ho, Hey ho unto the holly

Most friendship is feigning

Most loving mere folly

Dad was not cynical. So what appealed to him about this snatch from ‘The Tempest’?

I think it was the music.

Lots of people think they don’t like poetry. They would never read a poem – not willingly, not wittingly.

But they listen to songs. And a song is just a poem hidden inside music.

Think of the Beatles. Think of ‘Till there was you’. Think of ‘Elinor Mackenzie’. We loved those songs, not least for their poetry.

Nobody doesn’t like a song.

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