Reds Under the Beds

Michael Benjamin Komesaroff was a conspicuous proletarian classmate of mine during our later years at Scopus (1963). He had a lived political ideology, like other Komesaroffs before him, an indivisible loyalty to Jewishness and to his country of citizenship. I recall his vernacular speech deafening us classmates in his espousal of Labor politics. We called him Kommo; he was a social democrat before most of us knew the term. Those same politics marked the generation of his immediate ancestors, and brought them to the attention of ASIO. At the time Lenin was preaching international revolution, a doctrine that unsettled Australia’s conservatives. Here were the Komesaroffs, newly arrived from that revolutionary hotbed. Where did their loyalties lie? ASIO became very interested in them, and now their descendant, with a career in international journalism behind him, investigates the investigators in a new book. “Reds Under the Beds” is the result.

“Reds Under the Beds” describes the abiding interest of Australia’s intelligence community in a family who had immigrated in the early decades of the Twentieth Century.  The author’s love and respect for those ancestors match his feelings for Australia. His meticulous research informs this account of a group whose hallmark was loyalty. The Komesaroffs were loyal Jews who became loyal citizens of Australia. Jewish loyalty mandated their love of Zion and their opposition to fascism, while loyalty to the country of adoption saw them acknowledged as exemplary citizens. Somehow ASIO became all too interested in the Jewish concerns of the Komesaroffs and quite blind to their lives as citizens.

Michael Komesaroff writes his family’s story dispassionately, in clear and clean prose. His analysis of the political tides and times is  revelation, as is his understanding of the contest for middle Australia between Social Democrats and Conservatives. With a calm that is unusual he identifies prevailing anti-semitic attitudes without inflating it beyond its true dimensions. Most topically, Komesaroff shows us how Australians of the most ordinary loyalty can come under pervading suspicion and investigation by Intelligence organisations. In our times, when mistrust of the citizenry is translated into something of a growth industry, a poised and intelligent balance is needed between the community’s needs of security and of community. In the case of these ‘Reds under the Beds’, ASIO emerges, showing limited intelligence.

“Reds Under the Beds” is published by Hybrid Publishers and is available from most booksellers and Amazon. Further details of the book are contained on the Amazon website (here).

As outlined in the flyer, I have the pleasure of launching the book at 4:00 pm on Sunday 15 July at Glen Huntly Park Function Room, Glen Huntly Park, corner of Neerim and Booran Roads.

The Bookshop of the Broken Hearted

Every so seldom I come upon a book to treasure. Every day I read. I inhabit a forest of books,

I sleep between towers of books, some read, some half-read, most unread. No day goes unbooked.

Some in my world of books inform or advise or enlighten. Others – not enough of them – delight or tickle me. Some inspire, some shock, others outrage and a few disgust me. Plenty bore me. But every so rarely comes a story that calls for that overused word, love. Robert Hillman’s ‘Bookshop of the Broken Hearted’ is a book to love.

What do I mean here by love? In two separate surveys carried out a decade or so ago, respondents were asked to name their most-beloved Australian novel. I saw listed many books I’d enjoyed, by authors I admire. Before reading the results I made my own nomination – Tim Winton’s ‘Cloudstreet’. I read the rankings, and there, topping both surveys, was Cloudstreet.’Just so: Winton’s characters, their stories, their rich and variegated humanness, are given to us in their fulness, given us to love. ‘Cloudstreet’ stays with the reader and is recalled with love. ‘To Kill a Mockingbird’ is another such.

Ripe for adding to that list is Hillman’s ‘Bookshop’. It broke my heart and it healed it. I laughed (my guffaws this morning alarmed a tramful of screen-trapped commuters) and I ached for the child. And for the adults who saw this child and that child torn from them I felt a distress that has visited me only once outside of a book, when the (false) report arrived that my child had a fatal malignancy.

‘Bookshop’ left me hopeful but not complacent. I will cherish the simple farmer who is the protagonist and I will tremble for him so long as memory abides.

I invite you come to Readings Bookshop in Carlton, to hear Robert Hillman in conversation with this happy blogger at 6.30 pm next Monday, May 7th.

SCOOP INTERVIEW AND BOOK REPORT:

Literary Giants Hail ‘A Threefold Cord’

 

Since the quiet release of ‘A Threefold Cord’ last week, giants of literature and history have joined a lengthening queue to sing choruses in its praise. 

Leading the push is Leo Tolstoy who confided to your reporter: ‘I wish I’d written it instead of ‘’War and Peace.’’ Another writer remarked: ‘It is a truth universally acknowledged that a child in possession of a love of stories will much enjoy this book.’
The author penned the novel in 2013 at the age of sixty-seven years. For that somewhat flimsy reason he decided the work would consist of precisely 67 chapters. When he told his daughter-and-publicist the title was, ‘A Threefold Cord’, she replied: ‘That’s got to be a working title Dad.’ ‘No, that’s the title, darling.’ ‘No kid will buy a book with that title,’ was her crisp retort. For the pleasure of defying his firstborn the author determined the title would stay. 
From its inception the author of ‘A Threefold Cord’ has always spoken of it very highly. ‘It’s a cracker of a story’, he told your reporter. 

Intended for shared reading between a parent and an adult of eight years and above, the novel has been trialled in readings to primary school classes across Victoria. 

‘Listening to early chapters, children laughed. Upon meeting the enigmatic and sinister Dr Vandersluys they gasped. Upon hearing the testimony of Samara, sole survivor of a refugee family whose boat sank off Christmas Island, children were moved to tears. That wasn’t entirely unexpected,’ said the author. But when teachers wept I was surprised.’

I wondered whether the book was too sad for children? ‘No, not for children, but it might be too sad for grownups. Children like it because the three friends who make up the Threefold Cord are so brave, and loyal and clever and inspiring. And FUNNY.’
But Doctor Vandersluys, I wondered, ‘Is he a he or a she?’
‘I ask the same question’, said the author. ‘I hope to find out in the sequel.’
‘THE SEQUEL! Will there be a sequel?’
‘Yes, I’ve already written the first twenty-three of seventy-one chapters’, replied the 71-year old author.

As an e-book A Threefold Cord is available from:

ITUNES:

https://itunes.apple.com/au/book/a-threefold-cord/id1237456156  
AMAZON:

KOBO:

https://m.indigo.ca/product/books/a-threefold-cord/9781925281415

ADVANCE COPIES OF THE PRINT EDITION OF  A Threefold Cord ARE AVAILABLE HERE NOW 

https://www.hybridpublishers.com.au/product/a-threefold-cord/
AUTOGRAPHED COPIES MAY BE OBTAINED DIRECTLY FROM THE AUTHOR

‘Joyful’ by Robert Hillman – A Review

There’s a CD I listen to when I want to write about something serious or something true or sad. It is Disc Two of ‘Dirt Music’, the album compiled by Tim Winton and Lucky Oceans to accompany Winton’s great and sad book of that name. Two tracks on the disc speak from the darkest room in the house of sorrow. (I refer to Sculthorpe’s ‘Dijille’ and to ‘Cantus in Memory of Benjamin Britten’ by Arvo Part). The grief is absolute. It neither cries nor shouts nor tears its hair out. It simply quivers and ultimately exhausts itself and lapses into barely audible human breaths. And thus into harmony with life. The experience leaves me quiet, reconciled – I suppose – by sheer truth. And beauty.

What has that to do with Robert Hillman’s new book, “Joyful”?  I read a passage in the later part of the novel where a character who has lost his only two children weeps silently in the utter darkness of a room in the mansion that gives the book its name. His quivering presence is sensed by his host, Leon Joyce, owner of “Joyful”. Joyce, who has been observing his own prolonged season of bottomless grief, stands, wordless and motionless. The weeping one comes to realise he is not alone. Each sorrows in silence, both men understand. No sign, no word. But something beyond words is known: the two men and the grateful reader make their way from that room in “Joyful” somehow reconciled to loss. And that is what Hillman’s book is about – its chief theme – how we humans risk all and lose all when we (inevitably) invest in passion.

Robert Hillman is not famous for misery, any more than Winton. The misery is there in the book as it is in life. But “Joyful” is also a story of the greatest vitality, the most audacious imagination, the most original characters, (from the carnal priest who absolves himself habitually, to Dally the Wordsworth-loving Iraqi Kurd, to the sexually hyperactive Tess, to the hapless Emily who cannot love any man who loves her, to the world-weary, gusset-guzzling, false-poet Daniel.) And the book is full of gems from the bowels of Hillman’s imagination that made me roar with unexpected belly laughing.

I defy the reader to get through “Joyful” without shedding tears of mirth and tears of joy. In short, I like it. I admire it. I respect it, I envy it, I treasure it. I’ll remember it.

joyful“Joyful’s” characters are destined to live in memory alongside Winton’s Fish and Lamb families that emerged from “Cloudstreet” and took up lodging in a nation’s treasury.

Text published “joyful.” Howard Goldenberg will launch it at Readings in Carlton at 6.30 pm on Wednesday 7 May. Please come along.