Grace on a Tram

I caught the tram this morning. Truly caught it. Chased it like a mad thing, dodged traffic banked up behind it, weaved, sprinted, kept balance. Climbed aboard, collected my breath, took a seat and took in my surroundings. And pleasant surroundings they were, for seated opposite me was a colourful and pleasing sight: a young woman, slim, with wavy lime-and-blond coloured hair, who sat and ate a banana.


Her lime-blond hair matched her bright lime socks. At her hip hung a patchwork cloth bag, alive with colour. Her black patent leather ankle boots gleamed. Just above the orifice into which banana descended and disappeared steadily before my fascinated gaze, a small nose ring looped between her nostrils. The young woman was thin but not starved. She worked steadily at her banana until she came to the moment of social truth (for some, the moment of crisis), the end of the banana, the moment when the skin demands of the eater a decision.

I watched. Would she ditch with a deft flick the peel beneath her seat? Might she instead reach into her bright bag of cloth for a plastic bag? The young woman (I decided she was nineteen years of age) did neither. She simply sat, and the peel sat on her lap, dying.

The dying of a banana peel is swift in onset. The peel, once devoid of the flesh that shaped it and gave it purpose, quickly shrinks and darkens, losing all meaning. Its yellow bloom gone, it darkens, collapses and becomes an elegy for its own shabbiness.

So the three of us sat there for a while, the lady, the banana peel and the watcher. Throughout, the winter sun shone bright through the window of the tram, transfiguring all. My eyes watered for brilliance, and my bones thawed.

After a time a man entered. Tall, wide and round, the man moved slowly into our space in the back section of the tram. His shabby clothes were black, his curls were black and his skin was black. He lowered above us for a time, directing his gaze where no eyebeams might intersect. His fleshy lips moved soundlessly. His hairy right hand clutched a sheaf of papers upon which columns of figures descended in lines from the top of each page to the bottom. The pages had the grey, slightly smudged look of photocopies. I peered at the pages, curiously. The man held them as a child might clutch a Teddy Bear, a talisman held close, disregarded, but not to be surrendered readily.

The man finished looking at nothing and lowered his fleshy self onto a seat between and opposite the lime- banana woman and me. We three found ourselves at the points of an equilateral triangle. The man, oblivious, muttering like the scriptural Hannah, was not a prepossessing person. His bulk projected itself towards the woman, towards – who knows? – possibly into her space.

I guessed she might feel intimidated. I half expected her to rise and remove herself. I watched tensely. The man’s free hand rose, coming to rest close to his ear. He spoke. His speech was not directed, the speech, I surmised, of telephony. I looked up and between his splayed fingers no telephone was seen. The tram lurched, the man lurched in his seat, his clothing shifted above his large belly. His naked flesh, baby-like, helpless, pleaded his innocence.

Now the young woman moved. She leaned forward and sideward, her angular face closing on the man’s. She said something I did not catch. The man did not catch it either. The woman’s lips moved again and I was able to read them.  I saw the words, Can I help you?  The man saw, or heard, too.  After some time he spoke, now facing the young woman, his back to me. I had no clue what he said or asked. But the woman was nodding, Yes, yes, all the way to the city.  You’re on the right tram. Her face, still close, relaxed and opened widely into a smile. The girl nodded again, her smile shone upon the man. Eyes locked, the two sat for a time without moving.

At length the man sat back in his seat and relaxed, unfolding himself, pouring himself liberally into the space left around him by peak hour riders keeping a fastidious distance.

The sun lit the man’s tight black coronet of curls. Those curls crouched as a perimeter around his bald patch that I could now see gleamed in the morning light.  The tram rode on a short space, then stopped. The young woman rose and walked towards the exit. I did not want her to leave, not yet, not before I could thank her, bless her.

The tram stopped, the woman descended and I watched as her slim form weaved a colourful path through the city crowds.

Autumn notes: Man on a Tram

Peak hour, crowded tram. Deep in my book, head down in a forest of winter clothing, I sense rather than see the form that moves in my direction. The form sits down at my side. The face that I glimpse is dark, a face of bones and wrinkles like ravines. The hair, a crown of silver curls, strewn or scattered, falls in accord with the whim of wind or gravity or inertia.

The man is short and narrow. His slim haunches scarcely fill half of the empty half seat at my side. He looks about my age, but, reckoning with an educated eye I decide he’s two decades younger. Ragged black clothing speaks of neglect. The silver hair smells of cigarette smoke. A whiff of breath speaks of last night’s grog. Surrounding him, standing or seated, commuters armed and painted for the day in the City, all in their groomed elegance, escape into screens and music. The forest towers above and about him. The man lacks all accoutrement and adornment. He sits with his stillness, the smallest adult.

The man sits with his back to me. I return to my book which absorbs me for a mile or two. A rattle of a flat voice at my side brings me back to the tram. The voice speaks a question: Alfred Hospital? Before I can compose a response the slim young woman facing the black man speaks, It’s close, I think. I’ll look it up. The young woman interrogates her phone with quick little fingers. Her hair is light brown, her face nearly pink, her glasses, large and round, giving her the look of an undergraduate continually astonished by the adult world. Her eyes are small, shiny, slanted.

Yes, she says, it’s the stop after the next one.

The man’s voice rattles: Medical appointment.

The young woman leans, points further down the track, over her shoulder: Commercial Road. The man sits as we all do, in the young woman’s face, in uninvited intimacy. Her voice is kind, her gaze at the man, steady, frank, unafraid.

The rattle again: Dunno what the doctors will tell me.

I hope you’ll be alright.

 

 

The thin man rises just as the tram lurches to a stop. He glides toward the door, correcting for the lurching with a deft swing of hip and thigh that is effortless and graceful. He dismounts and disappears.