SUMMER STORIES, III   The Fruit of the Vine

Here I am, alone among the thirty thousand-odd residents of Broome, the sole shomer shabbat*. For this evening’s sabbath meal I have challah, (the delicious plaited loaves of brioche), I have candles, I have cooked a delicious meal for four, (which I’ll eat unaided). But something’s lacking, the kosher grape juice for kiddush. I left it in the city and here in Broome neither Woollies nor Coles stocks kosher supplies. But they do sell grapes.  

 

 

No problem. Buy grapes, squeeze grapes, chant the kiddush, drink juice! I purchase green grapes, sweet and tasty; and purple grapes, great bursting spheres, less sweet but full of character. I’ll include both and create a rose. My technique will be the ancient one: crush the grapes underfoot in the old-fashioned way, with but a single variation: to create a tinea-free beverage, enclose grapes in a sealable bag, zip it locked, drop bag into a steel bowl and trample. Simple, yes? No. These grapes are tough. They’re putting up a fight. After a good deal of trampling I haven’t burst a single one. There they lie, those green pearls, gleaming insolently up at me. I tramp harder, engaging my heels now. No good. Intact still, my green foe lies unjuiced, defiant, at my feet.

 

 

It’s personal now. 

 

 

I try my luck with the purple. Those spheres, their skins looking stretched to breaking, should be easily persuaded. But no, stubborn atheists these, like their cousins in green. I clench a fist and regard its hard, cruel bones. I hoist the footbowl, place it on a bench top, rest my knuckles on the plastic bag and lean down hard. Something gives. Encouraged, I push down harder. More movement, a slipping. Anticipating free fluid, I look down. No juice, just grapes in a bag of plastic…and air! That’s the problem, I’ve been bouncing these demons inside their cushions of air! I unzip the ziplock, deflate it and apply my shoulder, my steeled upper limb, my fist, and I push down and rotate as I push. Now, now is my foe giving way. But the fight remains dour. Grape by grape they split, and grape by squeezed grape they yield their life’s juice.

 

 

 

Fifteen minutes pass. Both grape and grapist are sweating now.  After thirty minutes I have collected half a small glass of pale silvery juice and a similar volume of pinkish nectar. The two combined become a translucent rose. Violence grudgingly rewarded, a victor feeling strangely compromised. How did grape-squashing become a moral test? How did I fail it?  

 

 

 

Absent-mindedly I pop a green grape into my mouth. My tongue pushes the little balloon up against my bony palate. A little further pressure and the skin gives way. Sweet juice flows and my molars engage and grind the pulp. In midgrape my mouth stops its motion. Now I have it: this grape, like all the grapes of my life, had to be forced. Ostensibly a mild soul, have I hidden my innate violence in silent acts of mastication? Certainly a cruncher, an audible biter down, one whose apples snap loudly as I sunder them, who is it who bites thus? And what is it that bites me?

 

 

 

Might there be another way? There is another way, I know it, I’ve seen it. My mother, God rest her gentle soul, never burst a grape. Mum enjoyed grapes but brutality never occurred to her. Instead she’d peel a grape, slide it into her mouth and suck it to sweet oblivion. 

 

 

 

 

*Shomer Shabbat, one who honours the Sabbath, one who guards it and makes it holy.

The Boringest Cliché

1510472_366538920155302_968766595_nWe have all seen too many movies, read too many stories and attended too many plays where some person (always male), his hair thinning, his relationship failing, struggles endlessly to start his novel. Or to get over his writer’s block. Or to complete the bloody thing. Or to get it published.

 

Great writers have whinged greatly on this theme. Jonathan Franzen (The Corrections) and Nam Le (The Boat) have fretted memorably. The world has now read, seen and heard enough on the theme.

 

Yet, four and a half years of my (how much?) remaining time have disappeared in the creation of my own novel, “Carrots and Jaffas”. I watched and saw the sands of my time trickle profitlessly as through an hourglass. I wrote a masterpiece each morning and re-read lines, dead and drear, each evening. I took six months off work ‘to finish the novel’. Those months passed and a further draft joined the previous six in my waste paper basket.

 

For the past four and a half years I have lived that cliché. My wife and family have experienced that neglect.

 

Now Carrots and Jaffas poke their red heads (slab-shaped due to their premature arrival, ironically polar to the postmaturity of their story) out from the beautiful, bright covers that bear their names and Hybrid Publishers commissioned for them. The twins’ struggles to survive, their unnatural/supernatural/utterly natural intimacy, their delayed individuation, their painful discovery of separated self – all these have lived within me; and now Carrots and Jaffas face the world naked and without.

 

They tremble before you.