What Does it All Mean? – V The Final Act

‘TRIGGER WARNING’

The following post may distress some readers. Before reading, please ensure you have any supports you might need.

This hurts the most. 

If only, if only…

It happens and it hurts and the hurt can’t be helped; it can’t be talked away; it can’t be redeemed.

And when you lose the next one in this way, it finds you again unprepared, defenceless, bewildered.  

When I count those lost to me by their own hand, I find the tally low: three, three in over fifty years. These three, and two more who tried and who fell, falling, astonished into my outstretched arms.

The wound is not to my pride. The wound goes deeper. Petty pride stings at slights, but this is not slight. This one trusted me, that one looked to me, they stood before me in their naked grief and I tried to clothe them in my regard: You matter. Your life has value. Your unique being has meaning. 

I have been talking, I discover, to those who are beyond hearing. My words vibrate and pass, and unclothed and alone, the three take their leave. 

The first died for beauty. Believing herself dysphorically to be disfigured, she could not see the beauty all others could see in the photos her despairing husband took and showed her. Beauty cannot keep her lustrous eyes. She takes her leave, she takes her life. Her husband cannot take my calls.

The second died for lovelessness. Born a late child into a family already too full of children, born whole into a constellation deformed by the severe deformity of an elder brother, this one was never deemed to have needs. He called out for notice: Mum, I’ll be good! Mum, I topped the class! Dad, I was best and fairest! Mum, Dad they made me School Captain! Mum… Dad…

They never noticed. All their time, all their energy they spent on the other one, the one who couldn’t run, who would never read. Mum and Dad had no love to waste. The unloved one made himself lovable. I never met a more winning man. I noticed him, I regarded him. He won me. But mine was not the love he lacked.

Being lovable, being good, being the one who’d always try the hardest, he tried all I suggested; he took the medication, and the next medication. He accepted the referral to a psychiatrist, he engaged with the therapist, he accepted admission to hospital. He convinced the specialist he was recovering. He left hospital and he kept his appointment with me. He spoke to me in warm appreciation. He took his leave and, leaving me in false assurance, he took his life.

Twenty years pass and still I shake my head in bewilderment. So vital his being, so warm his blood, so much greater than both, his pain.

Of the last I write least. Two years on it remains too raw. Another who died for beauty. Ugly only in her own eyes, ‘unworthy’ of the lavished love of her parents. Unable to bear the hope with which I’d inoculate her, she separated herself from me in her final months. She died by her own hand. She died alone.

My feelings are not of guilt. Not being family to any of the three, I feel none of the woundof kin, none of that stab of accusation or anger. I cared for all three. They took from their scant stores of trust and they invested in me. I tried my best. It was not enough. We all lost.

On the eve of Rosh Hashana

A year has passed – what have we learned?

We had more than we needed

We could get by with less

We need things less than we believed; we need people more than we realised

Compassion

The reality of mental ill health, its ubiquity

A year has passed – what have we lost?

Money mainly;

time with loved ones;

the pleasures of socialising; leisurely time in coffee shops

Many  – too many – have lost jobs

Too many have lost loved ones

Almost all of us have had to borrow from our future

For boomers of my generation it’s the end of the free ride, it’s a long farewell to our plans for retirement

A year has passed – what have we gained?

A guilty sense of responsibility for a planet despoiled

Humility as we saw so many so much worse off

Appreciation of the good we had

Understanding without judgement

Neighbours – they were there all the time and we never knew them 

We know our loved ones better.

Desiderata – we have learned we can go slowly amid noise and haste 

Can we be better?

On the Passing of a Great Writer

At the time of writing this, I have read scores of tributes to Gabriel Garcia Marquez, all of them as tweets. In other words, I have read nothing so far in mature media, (an expression that identifies me as a culturally bewildered old fart).

Great writers will have their say in traditional media.
Thus far the twitterers. Now me.

I was intrigued as I read these tweets. They poured, a growing stream of tributes, pausing at intervals, I suppose, to gather electronic breath, then flowing again. The process seemed as alive, as dynamic, as the flowing of a swift rivulet that paused on reaching rocks, only to cascade over and around them and plunge downstream in a Gabriel Garcia Marquezswelling spate. I felt excited by the energy I witnessed. I felt I heard the whisperings of legion one-hundred-and-thirty-character authors, everyone of them sounding forty years younger, forty years more at home here than I. Their twittering grew and grew to a chorus.
The energy was mildly thrilling as it gathered strength. It could frighten me if (forget “if”; think ‘\’when!”) it becomes a mob. I remember, too well I remember the cries at Cronulla; the cries of the mob as Dreyfus is cashiered (“Death to the Jew!”).
But I digress. Or do I digress? Only if the medium is not the message.

And what did I hear, what sense as the tweeting reached crescendo?
I heard love. I heard grateful appreciation. Marquez became a beloved writer. And his writing was the antithesis of the tweet. Substantial, considered, it paced itself with the uneven gait of the human.

I was impressed by the way tweeters reached for language worthy. None found his writing “awesome”; no-one said Marquez was “amazing”. No-one buried him in dead language.
Instead they offered back beloved lines. I record the four most quoted in ascending order of popularity:

Fourth: The only regret I will have in dying is if it is not for love.

Third: Nothing in this world was more difficult than love.

Second: Nobody deserves your tears, but whoever deserves them will never make you cry.

First: What matters in life is not what happens to you but what your remember and how you remember it.

Of these the first three are switches planted onto the pages of Marquez’ writing that light up a remembered feeling, an emotion recognised by the grateful reader.
The lines on memory appear more elusive than allusive. Subtle, demanding a pause, requiring meditation, the memory quote speaks to all who are mortal of what might remain, of the immortal.

What is my own response to Garcia Marquez’ writing? People call it magic realism. I recognise something older. I hear the thrust of story in the bud, bursting into flower. I hear the pulsing of the “Thousand Nights and One Night”. I hear storytelling.