What Does it All Mean – III

Crossing a Bridge

It is late in the third year of medical school that we watch a screening of a live birth. Until this point in my life, film was always smaller than life, an image, a series of images, fictive or documentary, but extracted, never fully real or fully human, let alone monumental. But this was a video of the eruption of life. I might have been witnessing the Big Bang so enormous was this, the advent of a human.

I remember feeling electrified, thrilled, struck and struck again by a cascade of philosophic thoughts, intense joy, a sense of being a guiltless voyeur upon the utterly intimate that was utterly universal. I was witness, by invitation, to creation. I remember too, my naive amazement that a woman would allow a camera (that shockingly lacked any sense of modesty) to show her fully naked self in this way. I looked around with a wild surmise. But my friends, more worldly, more mature? – showed no shock.

It is only a year or so later that I will deliver a baby. Between the videotape and that event, my father decides I’m ready to go to Labour Ward with him. This entails walking out the back door of our house, past the rhubarb growing in the back garden, to the side gate that opens onto the lane. Dad would hasten across the lane with me at his heels. Through a second gate and we are in the grounds of the Oakleigh Community Hospital. Here Dad frequently invites me along, to watch as he performs surgery, administers General Anaesthetics, treats heart attack and pneumonia and fracture. Dad’s patients welcome me: Dad is their idol, his son would be a godling. Today my presence will demand inordinate trust on the part of a woman of her doctor. What I will share is a series of events, of unmediated sensory experiences – the rich colour of placenta and the same colour in a woman’s face, the odour of amniotic liquor, the sounds and lack of sound, of wordless breathtaking, grunting, pushing, the sight of a calm and immensely calming doctor, his movements graceful as ballet, his stillness, his attention, his kindness and his firmness – and the huge feelings of a new mother, the joy reflected on the faces of nurses, and my own sensations, intense and too many, crammed into climactic moments, and I unable yet to unpack them and describe them calmly. For now I know only awe and thankfulness.

Perhaps a year later, I stand at the side of a young woman through hours that become a full day, during which she approaches a bridge in her life. Today I’ll cross a bridge of my own. Surrounded by calming midwives, veterans in this arena, I watch as the woman pushes. The woman pushes hard, pushes long, gasps, pushes again. Her face reddens deeply, now a beetroot, now a plum. I peer hard: is that hair? Is that scalp we’re seeing? I move into place to catch a baby.

The Delivery Room encloses the birthing mother, a couple of midwives and a nervous medical student. This room, this world comprises all animal humanity as a life spills free into air. Our air, cold upon wet skin, evokes a gasp, a cry. The cry tells a young woman she has crossed the bridge. The student gropes, grabs a slippery cord, which yet dances and writhes. He applies a clamp which slips and falls to the floor. The baby cries, the mother cries; I suppose I’m tearless, but I know I have crossed too. This is one meaning that I catch instantly.

Six weeks later I travel, as directed, to a Victorian terrace house situated next to a rail crossing in Brunswick. In the house a new mother and her young husband live with their baby. The idea of the visit is for a student to learn the consequence of those climactic events six weeks earlier; that consequence is the fact of parenthood. The mother welcomes me, the stranger who crossed with her, the intimate male who usurped the father. That father welcomes me, thanks me! It occurs to none of us three that he should have been there in my stead. A bond exists, forged in the sweat and blood and urine and shit of birth giving, in the gasping and the heaving of giving birth, in the shock and the cry of being born, in the spreading flood of love for a human child.

I never visit the family again. I would not recognise the mother today. Yet every time I drive past the terrace – which happens to stand on my preferred route to the airport – whenever I pass, I remember, through all the decades that follow. I remember that day, I feel that bond.

The birth leaves me changed. I feel called.

For the first thirty years of my working life I deliver babies. It never stales. Nothing else in a life in Medicine will rock me with that astonished joy as I witness the advent of a human. When suburban GP Obstetrics eventually dies, a part of my own life is extinguished.

Sadie

The baby slid into our lives one day earlier this month. I can’t recall exactly which particular day, but the day was particular for the sliding.

Doctors inspect, find all parts present and correct, a girl. Parents check: not simply present and correct, but perfect, their girl child. 

Grandparents arrive, enter the dimmed room, quieting exultation. They sight the child, suppressing gasps of joy. 

They behold, astonished by smallness, their newest beloved. Already, immediately beloved.  

Lips a circlet of pink, the baby in stillness. Parents drained – but for now – electric with joy, unaware of their deepening sleep deficit, aware only of baby, baby, baby, miracle, fact, miracle.  

What is this love that bursts into being? This finer, purer love, this love that seeks nothing of the child, this love that demands nothing beyond that she be? This love, this agape? The grandparents are certainly agape. At this child, this miracle, fact, miracle.

In the quiet and stillness, in this room, tenderness has her domain. This room contains a new human person who sleeps, whose lips flicker and semaphore mystically. She sleeps and she teaches love.

 

 
 

 

The Preacher of Princes Bridge

You see him on the bridge when you pass among the midday crowds. Alone among the moving multitude, he stands stationary, his voice raised as he addresses us. In his hands is a slim black volume with cheap plastic covers. He reads, rather, he declaims from this book words of prophecy and of admonition.

The preacher’s voice is thin and high pitched, too feeble an instrument to serve his purposes without help. He augments the thin piping of his voice with a little microphone which emerges like the head of a small serpent from somewhere near his collar. The serpent’s head stays firmly in place within cooee of the preacher’s mouth, a mere kiss away, without visible support.

Assisted by this miracle, the preacher delivers his text. His voice starts high and ascends higher. The higher it rises, the softer it becomes. Eventually, the voice reaches its zenith where all sound ceases, then it falls again to shoulder height to begin the ascent of the next phrase.

Alone among all the movers at noonday, I stop to listen and to learn. Continue reading