The Fatal Canal


I returned today to the canal where John died. He must died around 1951, when I would have been five. I looked at the low bridge over the canal that I always looked at with fear. I’d stand a hundred yards upstream and I’d regard the swift current. I knew that if I fell in the current would sweep me downstream and under the bridge and beyond.Dad’s words would ring in my ear: The canal flows ninety miles, all the way to Hay. I’d stand upstream of the bridge and I’d terrify myself with thought of my helpless passage to Hay.

When I was five that bridge was larger and higher. The canal was wider: the entire scene dwarfed me. In that canal I learned the power of trust. Dad stood in the canal, and urged me to jump in and swim to him. He was three yards distant. He said, Jump in Howard. I’m here; you can trust me. I looked at that too-strong stream, I looked at the separation from Dad, I looked downstream in the direction of Hay. I said, Dad, how do I know I can trust you? Dad looked at me. He said, I gave you my word. I jumped in and I learned that trust is stronger even than the current in the Hay Canal.

This evening images came to me of Dad and his friend Jack diving into the canal, emerging gasping, diving again and again. Then Jack surfaced and cried, I found him! The two men dived once again and brought John to the surface. They placed his inert body onto the tray of Jack’s truck, which roared off towards the hospital. A final picture remains of my Dad working on John on the tray, as the track rounded a bend and disappeared.

Only minutes before that frantic scene, John was a young man in his prime, sailing on the little yacht that belonged to Dad and Jack. He’d served in the War and survived. That day the boat’s mast touched overhead power lines just as John pushed the boat off the bank. Current flowed through John, electrocuting him.

Years later his niece sent me a photo of John. The face that looked at me was young, handsome, dashing in his uniform. His face was smiling. As I looked at the picture I thought of the wreckage that would ravage his family.

As he fell, John cried, Electric!

Orpheus and Eurydice in the Yidinji Lands of Babinda

I have taken this story verbatim from the free brochure produced by Babinda Information Centre Volunteers and funded by the Cairns Regional Council. 

The volunteer who gave me my copy, a gracious and helpful lady a good deal older than I, told me: The authors wrote this a very long time ago. They were a man and a woman who became knowledgeable about the local tribes. They both passed away many years ago.” I acknowledge my debt to those writers. I trust I have violated no-one’s copyright. I will be pleased to receive any information that will put me in contact with the heirs of the authors. 

More fundamentally, I acknowledge the traditional owners of these lands and thank them for welcoming me here. I swam in these beautiful waters, enjoying them among the descendants of the original inhabitants. Mothers and fathers of brown kids and pink kids joined tourists, backpackers, Asian tour groups and an old white doctor, cooling upstream of all and danger and loss.  

“A long time ago, when the Yidinji tribe lived in the Babinda Valley, there was a tremendous upheaval that created these unusual shaped “Boulders” with their foaming, rushing waters. In the tribe was Oolana, a very beautiful young woman. Also in the tribe was Waroonoo, a very old, wise and respected elder. It was decided these two should be given in marriage to each other and so it was done. Some time later a visiting tribe can wandering through the valley and as was the custom of the friendly Yidinji, they made the strangers welcome, inviting them to stay. In the tribe was Dyga, a very handsome young man. All eyes were upon him for his grace and beauty. At first sight Dyga and Oolana fell in love.

 

“So great was their strong attraction for each other they arranged to meet secretly. Knowing full well their desire for one another would never be permitted they ran away. Oolana knew she could now never return as she was rightfully married to Waroonoo. They journeyed well up into the valley, spending wonderfully happy days together as they camped under Chooreechillum*, near the water’s edge.

The two tribes had been searching for them and it was at this spot they came upon the the two lovers. The wandering tribesemen seized Dyga, forcing him away 
(re)calling how they had been shamed and would never return and how they would travel far away and never return. The Yidinjis had taken hold of Ooolana and 
were dragging her back, forcing her to return with them to the rest of the tribe. Suddenly she broke away and violently flung herself into the gentle waters of the creek, as she called and cried for Dyga to return to her here, but the wandering tribe had gone and with them her handsome lover.

Would he ever return? Just at the very instant Oolana struck the water, a tremendous upheaval occurred. The land shook with terror and sorrow as Oolana cried for her lost lover to come to her. Her anguished cries spilled out as rushing water came cascading over the whole area. Huge boulders were thrown up and she disappeared into them. Oolana seemed to become part of the stones as if to guard the very spot where it all happened.

So to this day, her spirit remains.  Some say that at times her anguished calls cry out calling her lover to return – and that wandering travellers should take care

lest Oolana call them too close to her beautiful waters, for she is forever searching for her own lost lover, and this must always be.” 

Upstream the waters are wide and gentle. Downstream a little and around a bend the river narrows, the waters deepen and rush between mighty boulders that are 
grey and silent and solid and powerful. Leaping suddenly downward in great foaming furrows, the green waters crash from a height into a pool that roils and

froths in endless turmoil. “Very many have drowned here”, reads the notice. (“Caution, slippery kocks”, reads another notice, the capital ‘R’ helpfully altered to a ‘K’.) In the words of the copper in ‘Point Break’, pointing over his shoulders at the wild waters off Bells’ Beach where Patrick Swayzee has preceded them, “It’s death on a stick out there, mate.” 

 

Upstream where all is tranquil a young mother sat on the steps at the water’s edge, watching her children swim. She said, “It’s true. In my own lifetime in Babinda very many have drowned down there…very many. But only men drowned. Never a woman.” 


* Choorechillum, Queensland’s highest peak. Its whitefella name is Mt Bartle Frere.

Watching Women Drowning their Babies

London, heart of anglophone civilisation, cradle of British culture? ‘For british’ read ‘brutish’.

See below. This is a true story.

This morning I watched a group of six young mothers and their babies, aged six to fifteen months, in an indoor pool in London. The pool was heated: they’re very considerate here when they set out to torture their young. The mothers undressed their babies and clad them in little wet suits. Entering the water they held the babies close to their perfidious breasts, murmuring the tender endearments that loving mothers do. They walked backwards in a circle, bouncing their babes in the water, hoisting them high, beaming, beaming all the time. Choreographed by Nicola – that’s the name of the licensed water torturer – the same cooing, smiling mothers all splashed water into the faces of their young. Spluttering, the babes looked up, discomfited. Their mothers chorused “hooray!”, made loving whisper and song, reassured the children that what had passed was not real, then splashed them again. After half a dozen such passes it was time for holding on. Holding on is taught by placing the babe, until now an entirely earthbound being, facing a horizontal railing just inside the margin of the pool. The mothers all sang “Hold on! Hold On!” Nicola sang the same. A sweeter chorus you never heard. Then the mothers let go of the slippery bodies, singing gaily as the newborn of their flesh slipped below the surface. Here the babies enhanced their education by breathing in water. After a little bit of this, desperate bodies surfaced, flailing arms found the railing, and most survived. None looked happy, but the mothers beamed and sang and cried “Hooray!”

I looked at my watch. We had been going for only seven minutes of the thirty that the mothers had paid for. I braced myself.

Now came swimming. Swimming is done by having your face pushed beneath the surface and held there for two seconds. To condition you for this submersion your mother calls your name, once, twice, then drowns you briefly, smiling withal. Mother Malvolio brings you to the surface, cuddles and coos. When you are a year old or a little more or a little less, you still can recall those aqueous moments of birth, when you suffered anoxia, your first near-life experience. Here, during the your seconds underwater you go through it all again. You’ve been flatlining: you never felt so thoroughly alive.

Throughout your thirty minute session of education you drink a good deal of pool water, chlorinated for your safety (and to foster your eczema). When you have drunk all your small tummy can hold, you pee, re-warming the water for the next baby to drink. The mothers never drink, their faces held above water level as befits members of an air-breathing species. Instead the adult female bodies shed their dribs and their drabs of belly button fluff and sundry fluids, augmenting the brew drunk by their young.

After too long the session is at an end. Money passes to Nicola. Stunned babies, shuddering, shivering as the cooler air hits them, blue of lip, mute with disbelief and moral shock, nestle in mothers’ arms. Those adults smile at each other in congratulation of their depredations.
Scot-free they’ll congregate here again next Thursday and do it all again.